Master Tallis's Testament Herbert Howells скачать в хорошем качестве

Master Tallis's Testament Herbert Howells

From Six Pieces. This one dated 1940 and captures the spirit of the age in which Tallis lived Herbert Norman Howells CH CBE (17 October 1892 – 23 February 1983) was an English composer, organist, and teacher, most famous for his large output of Anglican church music. Howells was born in Lydney, Gloucestershire, the youngest of six children of Oliver Howells, a plumber, painter, decorator and builder, and his wife Elizabeth.His father played the organ at the local Baptist church, and Herbert showed early musical promise, first deputising for his father, and then moving at the age of eleven to the local Church of England parish church as choirboy and unofficial deputy organist. In 1912, following the example of Ivor Gurney, Howells moved to London to study at the Royal College of Music, where his teachers included Charles Villiers Stanford, Hubert Parry and Charles Wood. Among Howells' contemporaries in the student body were Gurney, Arthur Bliss and Arthur Benjamin. Howells blossomed in what he considered the "cosy family" atmosphere of the College, and his Mass in the Dorian Mode was performed at Westminster Cathedral under R. R. Terry within weeks of his arrival. For the most part, however, his music at this time was orchestral; works included a piano concerto, withdrawn after its first performance, a light orchestral suite, The B's, portraying three of his friends at the college (Arthur Bliss, Arthur Benjamin, and Francis Purcell "Bunny" Warren), and the Three Dances for violin and orchestra. More typical of the works with which Howells was later associated were his earliest important compositions for organ, the first set of Psalm Preludes (1915–16) and the first of the op. 17 Rhapsodies. Howells' promise was imperilled in 1915 when he was diagnosed with Graves' disease and given six months to live. His poor health prevented him from being conscripted in World War I, arguably preserving him from the worse fate awaiting Gurney and others of his friends and contemporaries. At St Thomas' Hospital he was given the previously untried radium injections in the neck, administered twice a week over a period of two years. For much of this time Howells travelled between London for treatment and Lydney where he was nursed by his mother. He was nonetheless still able to compose and in 1916 produced the first work of his maturity. The Piano Quartet in A minor, dedicated to "the hill at Chosen and Ivor Gurney who knows it" was in the following year one of the first works published under the auspices of the Carnegie United Kingdom Trust. The quartet was first played at the home of Marion M. Scott on July 13 1916, the players being Nancy Phillips, Sybil Maturin, Dorothy Thuell and George Ball, who afterwards played it at the RCM. Its first public performance took place at Oxford in November 1917. In the following year Howells became assistant organist at Salisbury Cathedral, but held the post for only a few months, finding the repeated journeys to London for treatment too difficult. Friends then arranged for a grant from the Carnegie Trust, which paid for Howells to assist R. R. Terry in editing the Latin Tudor repertoire that Terry and his choir were reviving at Westminster Cathedral. The work was to lead to a multi-volume edition of Tudor Church Music by Oxford University Press in the 1920s. It provided Howells with a comfortable income and enabled him to absorb the English Renaissance style which he loved and would evoke in his own music. His first significant works for choir, the Three Carol-Anthems (Here is the Little Door, A Spotless Rose and Sing Lullaby) were written around this time.