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This is a bass re-imagined approach to Sweet Georgia Brown, built around direction, restraint, and delayed release. Instead of jumping straight into full walking, the bass holds a half-time feel for as long as it can breathe — allowing space, tension, and narrative to develop over the first three choruses. The line stays intentional and grounded, resisting the obvious, while quietly shaping the harmony underneath. Only after the form is fully established does the bass open up into full walking, pushing chromatic movement forward and letting the groove finally expand. The contrast between restraint and motion is the point — not density, but timing. This approach treats the bass not as background support, but as a leading voice: guiding direction, controlling energy, and choosing when to speak — not just what to play. Bass forward. Form over flash. Groove that earns its release.