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From the field of the image, every event is a narrative, an ideologically constructed narrative in a space of representation. The central question of this session is what role the privilege of the Western-centered gaze has played in constructing a colonial narrative of space, and the body of indigenous peoples in the experience of the Global South. How the colonial representation of racialized bodies has essentialized the narrative of disaster, the narrative of calamity and the humanitarian crisis as something naturally insurmountable. What are the contemporary ideological guidelines that continue to feed a narrative of Latin America and the Caribbean, and many spaces in the Global South, through the interdependence between the ethnographic image, the tourist postcard, and the image of the humanitarian crisis? Using as a reference some visuals of docu-fiction, from the field of photography and cinema we analyze the aesthetic, narrative and imaginary disputes that have allowed us to impose new trans-modernities, radical imaginations of the future, new conceptualizations about corpo-reality, which have made possible a break with the spaces of colonial representation.