5 Patches with PIP by Neutral Labs скачать в хорошем качестве

5 Patches with PIP by Neutral Labs

Check out my Modular Cookbook: US: https://www.perfectcircuit.com/catalo... UK:https://www.signalsounds.com/search.p... EU: https://schneidersladen.de/en/search?... Want to learn Modular Synthesis? have a look here - https://bit.ly/learnmodular PIP from Neutral Labs is a dual CV generator and recorder that can be synced to a clock and has various wavetables to choose from and morph between. Here's more information about it - https://neutral-labs.com/pip 00:00 - Patch 1 02:04 - Patch 2 04:24 - Patch 3 06:27 - Patch 4 08:34 - Patch 5 Patch 1: I'm using the Ts-L (VCO) to clock PIP, and PIP is modulating the frequency of the Ts-L so I get this ever-changing generative CV source. The S&H output of PIP is driving the Voltage Block (sequencer) in CV mode. I'm using one channel of the Voltage Block as a quantizer and it's sequencing the STO (VCO).I'm sending the STO to Ghost (FX) for filtering, delay, and reverb. I'm modulating the filter of Ghost with the second output of PIP, the resonance amount with the first output of PIP, and the reverb amount with the Voltage Block. Ghost is going to the output and I'm mixing a copy of the left channel together with the sub output of the STO. This is going to Nijel (distortion). I'm also using Ochd (LFO) to morph between the shapes of PIP. The second voice is coming from Cruinn (VCO) sequenced by the Keystep Pro (sequencer). I then added another voice with the Neutron playing a distorted arp here and there. Patch 2: I'm sequencing Neoni (VCO) with the Keystep Pro (Sequencer) which is also syncing PIP. I'm mixing the fold, saw, and pulse outputs of Neoni and sending them to Nijel (distortion) and from there to Ghost (FX). PIP outputs three synced CV signals. One is modulating the fold amount on Neoni, one is modulating the distortion amount on Nijel, and another one is modulating the filter cutoff of Ghost. The second voice is coming from the STO (VCO) also sequenced by the Keystep Pro. I then added a bass with the Neutron. Patch 3: I'm using PIP to generate random voltages synced with the clock. I use this random signal together with a comparator to generator synced random gates that I then combine with the main clock with OR logic. This logic result is gating Cnoc (envelope generator) that is bringing in my voice via the Vinca VCA. The voice is coming from the Neoni oscillator mixed with Cruinn (VCO). Both the fold and distortion amounts are modulated by the Voltage Block sequencer. Neoni is sequenced by the Voltage Block but Cruinn is just droning. This voice is going through Ghost (FX) for a comb filter, distortion, delay and reverb. Another voice is coming from the STO (VCO) sequenced by the Voltage Block. I then added a bass with the Neutron. Patch 4: I'm using the recording capabilities of PIP. I have it synced to the clock and I use channel A to modulate the cutoff of Ghost (FX) while recording new movements. The voice itself is coming from Cruinn (VCO) going through Ghost for filtering, delay, and side chain compression. I'm using the VCA of Cruinn together with Cnoc (envelope generator) to bring it in and out. The second channel of PIP is bringing in the delay of Ghost. The second voice is coming from the STO (VCO) sequenced by the Voltage Block (sequencer). I'm sending the sub out of the STO back into its FM for extra texture and the result is going to the Nijel distortion module. I have a looping Cnoc modulating the distortion amount. I then added a bass with the Neutron. Patch 5: I'm using PIP to record the signal coming from Ochd (LFO) according to the Voltage Block (sequencer). Each time the sequence reaches a certain point, PIP will record Ochd and will play back sections of it in sync with the clock. This recording I use to open two filters, the one on Ghost (FX) and the Vorg filter from Vult. The first voice is coming from the Cruinn oscillator going through Ghost and being sequenced by the Voltage Block. I use the recorded signal from PIP to open the filter. The mono output of Cruinn goes through reverb and then the Nijel distortion module. I'm using the second channel of PIP to modulate the distortion amount. I'm splitting the signal from Ghost. It goes once directly to the output and once through a high-pass filter and then some delay and reverb for an extra layer. The second voice is coming from the STO (VCO) being sequenced by the Voltage Block. It's going through the Vorg filter and I'm using the recorded signal from PIP to modulate its cutoff point. I then added a bass with the Neutron. In all patches I'm using Bitwig for adding reverb and panning modulation. I'm using DistroKid to distribute my music to Spotify, iTunes, Apple Music, and more. By signing up through this link you will get 7% off and will support this channel - http://distrokid.com/vip/omri #modularsynth #modularmusic #electronicmusic