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Sometimes a song needs to wait a few years to find its true rhythm. I originally wrote this acoustic "Spaghetti Western" piece during the quiet isolation of the early COVID days, heavily inspired by the lonely, wide-open cinematic soundscapes of Ennio Morricone. For this project, I decided to completely reimagine it. Using generative orchestration, I took that original acoustic melody and dropped it into the gritty, heavy aesthetic of 1990s Bristol Trip-Hop. To bridge the gap between the delicate acoustic counterpoint and the massive new rhythm section, this track was mastered using aggressive "New York" parallel compression on the vinyl drum break, while treating the sub-bass with phantom harmonics so it growls on any speaker. The result is a cinematic slow-jam—a dusty acoustic melody floating over a filthy, heavy underground groove. Turn the bass up. Credits & Process: Original Composition: Eric Lanoue Orchestration: AI-Assisted Generative Rendering (Acoustic to Trip-Hop Translation) Mastering & Audio Engineering: Logic Pro X (Parallel Drum Smash & Analog Tape Flutter) Genre: Cinematic Trip-Hop / Downtempo / Desert Noir About the Artist: Eric Lanoue is a composer and producer who bridges the gap between intimate acoustic performance and expansive cinematic soundscapes. Rooted in traditional composition—from complex minor-key fingerstyle guitar to driving electronic rhythms—the music is reimagined through modern generative orchestration and meticulously mastered using analog-era engineering philosophies. The result is a sound that feels simultaneously ancient and futuristic. It is music built on human intuition, expanded by modern technology, and crafted for deep listening.