Hyacinthe Jadin (1776-1800) - Troisiéme concerto pour piano (1800) скачать в хорошем качестве

Hyacinthe Jadin (1776-1800) - Troisiéme concerto pour piano (1800)

★ Follow music ►   / reciclassicat   Composer: Hyacinthe Jadin (1776-1800) Work: Troisiéme concerto pour piano (1800) Performers: Wеn-Ying Tsеng (piano); l Strumеnti Engraving: John Tinney (1706-1761) - Gezicht op de voorzijde van het Paleis van Versailles Image in high resolution: https://flic.kr/p/2iUCCQS Further info: https://imslp.org/wiki/Category:Jadin... Listen free: https://open.spotify.com/album/0Fx0zr... --- Hyacinthe Jadin (Versailles, 27 April 1776 - Versailles, 27 September 1800) Pianist and composer, son of François Jadin (1731-1790) and brother of Louis-Emmanuel Jadin (1768-1853). A pupil of Hüllmandel, he may also have been taught by his father. He published his first work in 1785 and made his Parisian début in 1789 at the Concert Spirituel, playing a piano concerto of his own composition. In 1791, after his father’s death, he seems to have become a member of the orchestra of the Théâtre Feydeau, where he remained until 1794. He composed and performed music for the Revolutionary festivals (although he was not a member of the Institut National de Musique) and made his first attempts at writing opera; only Cange achieved any success. He was appointed professor of piano at the Paris Conservatoire in 1795, and taught there until his death, training a number of women pupils, including Rose Dumey (who won the premier prix for piano in 1797, the first time the prize was awarded) Thérèse Desmarre, Annette Solère and Joséphine Grétry. From 1795 he performed as a pianist in several Parisian concerts (including the concerts Cléry and Wenzel). His last known public appearance was on 3 June 1800 at Versailles, where he played one of his piano concertos. An obituary signed M.L. appeared in the Courrier des spectacles of 11 October 1800, describing him as ‘a skilful harmonist and elegant composer, a good son and an excellent friend’ … ‘mourned for both his moral qualities and his rare talents’. Jadin’s best-known work comprises his piano concertos and sonatas, trios and string quartets. Their formal clarity and concision (the sonatas frequently include a re-exposition which first appears in the second subject) are combined with fine harmonic and melodic writing. The Largo of his Quartet op.2 no.1 has some affinity with Mozart’s ‘Dissonance’ Quartet k465. His Third Concerto for piano and orchestra breaks new ground in introducing the soloist with a récitatif à volonté, accompanied by the strings.