atomic bombs (part 3) _ KIM & SHANGO скачать в хорошем качестве

atomic bombs (part 3) _ KIM & SHANGO

Khloe disregarding Kourtney's loyalties in the post apocalyptic aftermath of her vaguely projected and half assed return of loyalty acted as the fundamental beginning of slowly sliding down the slopes of what used to be their top of the hill which Khloe froze and then ice cube smashed to splash into the decision making process of switzerland before hands of time I.e.like when Khloe's voice was out of sight and out of mind when Kourtney was up in arms about Kimberly's video game demands that lacked promises of residuals on top of what she perceived as a rude approach in requesting a favor from them which the old Khloe from season 3 would've been overboard about when figuring the metrics and integers of Khloe's anger over Kim's Dashing perfume deal into the mix of showcased character development--at least on Khloe's end which Kourtney's character seemed to devolve in remaining stagnant in old thinking patterns that Khloe obviously didn't share anymore which resulted in the start of their relationship's nuanced downgrade. Transitions and subtlties led Khloe to lean all the way with Kimberly in the land of now's finality of Greek succession in beautiful metamorphosis that revolutionalized each other that they still see their father inside of from the outside to in; (mirrored.) Kimberly, Kourtney, and Khloe see their father mirrored in each other the most through their brother Rob's Egpytian tip as the pyramid of Kendall and Kylie are those they take under their wing like Bruce taught them how to do (kind of?) while still remaining the closest with each other in identical visions of deja vu in their selves in maximized volumes of overwhelmingly complex translucency that cannot match their brother's direct link that underlayers impact when compared to the ultimate curve of Kris's all around succession in embodying all features of man and woman that increased upon the deceased energy of their father that Kourtney cannot find in either (Khloe OR Kimberly) [which she {Kourtney} finds in Kendall who both are the self important entitlement of down to earth basic levels in sociologically unrelatable efforts to appear relatable as wanna be hippies because being superficial is too mainstream for their public image which beholds the sentiments that polarize Kylie's stance as being relative to Khloe and Kimberly with variance in David Hodson labeled "property" that crosses over into endlessness with Jake labeled "layers and layers and layers"] selling Dash was a given she didn't want which Khloe and Kimberly disagreed with her on who wouldn't let Kourtney's voice be heard which broke Kourtney's heart upon remembering what Khloe said about their dad over the Bently incident of season 2 in the parking lot of then compared to the potrayal of Kimberly's intersectional relationship which existed before Kris Humphries wasted her time and put her economy at risk that divorced into Kanye who revamped her public image and healed her broken heart that wouldn't allow Kris Humphries to be able to break into upon Kimberly closing herself off subconsciously after Shango's ashes to dust that linger in the air of broken heart similes the blood from her smashed soul that Shango ripped to shreds that land into the sweat and tears of hadwork that Christ assigned to this vicious clan upon business promising reliability where outsiders couldn't compare. Khloe: we're sisters by blood but best friends by choice Poem called: Mirrors The blood we shed The tears we march Spread time onto love For your pardon, I'm parched Parched for your lungs, I'm in desperate need for air. Save me from this soliloquy Bring fire and doth angels, Your breath of fresh glare; Your imperially withering share. Your very own from me to you. I am me and you are you. Serena and Dan eye connections for staring context leap into how Serena and Kim parallel each other and represent art imitating life through Dan to Shango into Kanye's realities and everything that could've been with Shango. Mike: we see