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John Hoyer Updike (March 18, 1932 – January 27, 2009) was an American novelist, poet, short-story writer, art critic, and literary critic. One of only four writers to win the Pulitzer Prize for Fiction more than once (the others being Booth Tarkington, William Faulkner, and Colson Whitehead), Updike published more than twenty novels, more than a dozen short-story collections, as well as poetry, art and literary criticism and children's books during his career. Hundreds of his stories, reviews, and poems appeared in The New Yorker starting in 1954. He also wrote regularly for The New York Review of Books. His most famous work is his "Rabbit" series (the novels Rabbit, Run; Rabbit Redux; Rabbit Is Rich; Rabbit at Rest; and the novella Rabbit Remembered), which chronicles the life of the middle-class everyman Harry "Rabbit" Angstrom over the course of several decades, from young adulthood to death. Both Rabbit Is Rich (1981) and Rabbit at Rest (1990) were awarded the Pulitzer Prize. Describing his subject as "the American small town, Protestant middle class", critics recognized his careful craftsmanship, his unique prose style, and his prolific output – a book a year on average. Updike populated his fiction with characters who "frequently experience personal turmoil and must respond to crises relating to religion, family obligations, and marital infidelity". His fiction is distinguished by its attention to the concerns, passions, and suffering of average Americans, its emphasis on Christian theology, and its preoccupation with sexuality and sensual detail. His work has attracted significant critical attention and praise, and he is widely considered one of the great American writers of his time. Updike's highly distinctive prose style features a rich, unusual, sometimes arcane vocabulary as conveyed through the eyes of "a wry, intelligent authorial voice that describes the physical world extravagantly while remaining squarely in the realist tradition". He described his style as an attempt "to give the mundane its beautiful due". The Fiction Circus, an online and multimedia literary magazine, called Updike one of the "four Great American Novelists" of his time along with Philip Roth, Cormac McCarthy, and Don DeLillo, each jokingly represented as a sign of the Zodiac. Furthermore, Updike was seen as the "best prose writer in the world", like Nabokov before him. But in contrast to many literati and establishment obituaries, the Circus asserted that nobody "thought of Updike as a vital writer". Adam Gopnik of The New Yorker evaluated Updike as "the first American writer since Henry James to get himself fully expressed, the man who broke the curse of incompleteness that had haunted American writing ... He sang like Henry James, but he saw like Sinclair Lewis. The two sides of American fiction—the precise, realist, encyclopedic appetite to get it all in, and the exquisite urge to make writing out of sensation rendered exactly—were both alive in him." The critic James Wolcott, in a review of Updike's last novel, The Widows of Eastwick (2008), noted that Updike's penchant for observing America's decline is coupled with an affirmation of America's ultimate merits: "Updike elegises entropy American-style with a resigned, paternal, disappointed affection that distinguishes his fiction from that of grimmer declinists: Don DeLillo, Gore Vidal, Philip Roth. America may have lost its looks and stature, but it was a beauty once, and worth every golden dab of sperm."[86] Gore Vidal, in a controversial essay in the Times Literary Supplement, professed to have "never taken Updike seriously as a writer". He criticizes his political and aesthetic worldview for its "blandness and acceptance of authority in any form". He concludes that Updike "describes to no purpose". In reference to Updike's wide establishment acclaim, Vidal mockingly called him "our good child" and excoriated his alleged political conservatism. Vidal ultimately concluded, "Updike's work is more and more representative of that polarizing within a state where Authority grows ever more brutal and malign while its hired hands in the media grow ever more excited as the holy war of the few against the many heats up." Robert B. Silvers, editor of The New York Review of Books, called Updike "one of the most elegant and coolly observant writers of his generation". The short-story writer Lorrie Moore, who once described Updike as "American literature's greatest short story writer ... and arguably our greatest writer", reviewed Updike's body of short stories in The New York Review, praising their intricate detail and rich imagery: "his eye and his prose never falter, even when the world fails to send its more socially complicated revelations directly his story's way".[89] In her work on Updike, Biljana Dojčinović has argued that his short story collection The Afterlife and Other Stories is a pivotal work that demonstrates a change in his writing on feminism.