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Join us for an in-depth conversation with Artistic Director Stanton Welch AM on the restaging of this classic romantic era ballet August Bournonville's La Sylphide, the oldest still performed today! 0:00 Houston Ballet announces the Lauren Anderson Young Dancer Scholarship Fund 3:05 Panel Introductions and Welcome 6:17 Selecting La Sylphide 9:23 What Prompted Stanton to Add Another Ballet to the Program 10:45 Jack on Being characters 11:57 Allison’s Experience with La Sylphide 15:47 The role of James 17:00 Bourneville tradition of set class 17:51 The story of La Sylphide 21:41 Portraying the Contrast Between Mortal and Immortal 21:50 Importance of Performing Historic Ballets 26:21 Simon and Garfunkel and Other Song Choices 34:27 Contemporary Side of the Ballet 35:44 The Movement of Sparrow 39:21 “The Only Living Boy in New York” 42:21 Thoughts as a Choreographer 46:38 Costuming Choices 49:52 Q&A 50:15 Costumes for the Sylph and James 53:18 Jack Wolfe Choreography 55:05 The Impact of Stanton’s Music Choice- Pop Music vs Classical 57:05 Is it more challenging to choreograph words? 58:11 Is this the same production that Sara Webb did? 59:14 Is Stanton listening to any other music? 2:01:50 What are the challenges of La Sylphide in regard to pointe? 1:05:01 Closing Remarks