Nicola Logroscino (1698-c.1765) - Concerto per Flauto Traverso скачать в хорошем качестве

Nicola Logroscino (1698-c.1765) - Concerto per Flauto Traverso

★ Follow music ►   / reciclassicat   Composer: Nicola Logroscino (1698-c.1765) Work: Concerto per Flauto Traverso Performers: Angеlο Ragnο (flauto); Orchestra da Camera T. Traеtta; Vitο Clеmеnte (conductor) Painting: Giovanni Antonio Canal 'Canaletto' (1697-1768) - A Lock, a Column, and a Church beside a Lagoon Image in high resolution: https://flic.kr/p/2kcWrgu Further info: https://imslp.org/wiki/Category:Logro... Listen free: No available --- Nicola Bonifacio Logroscino (Bitonto, bap. 22 October 1698 - Palermo?, c.1765) Italian composer. In June 1714 he and his younger brother Pietro entered the Conservatorio di S Maria di Loreto, Naples. On 1 October 1727 the conservatory expelled them both ‘for bad traits of character’. Pietro was later readmitted (on the condition that he no longer consort with his brother), but Nicola was not. In May 1728 he became organist to the Bishop of Conza (Avellino) and stayed in this post until June 1731 when he returned to Naples, marrying a local girl there in November of the same year. Logroscino's first known composition, the oratorio Il mondo trionfante nella concezione di Maria sempre Virgine, was performed near Brno in 1730 at the court of Cardinal von Schrattenbach. In 1735 his first known comic opera, Lo creduto infedele, was presented at the Teatro della Pace, Naples. In a statement written in October 1738 by one of the ministers of the King of Naples, recommending Logroscino for an opera commission for the Teatro S Carlo, the minister added that the composer had already ‘set many comedies to music in the small theatres of the capital’. Two other comic operas reputedly by Logroscino may belong to this period: Tanto ben che male and Il vecchio marito. His first known full-length opera, Il Quinto Fabio, was written for the Teatro delle Dame, Rome. Thereafter he wrote numerous comic operas, sometimes in collaboration with other composers, most of which were for the ‘small’ Neapolitan theatres such as the Fiorentini and Nuovo. It is on these comic operas that his reputation is chiefly built. Giuseppe Bertini, in his Dizionario Storico-Critico (1814–15), mistakenly implied that Logroscino was maestro di contrappunto at the Conservatorio de' Figliuoli Dispersi in Palermo from 1747, an error echoed in many subsequent biographies. Prince Corsini only approved the new constitution for the conservatory in that year and after the directors failed to secure Perez, Gregorio Sciroli was hired as maestro di cappella. Indeed, Prota-Giurleo cited documents confirming Logroscino's presence in Naples in 1753, and the popularity of his music in Naples throughout the 1740s and early 50s supports his continued presence there. Documentary evidence of Logroscino's move to Palermo comes from his nomination to replace Sciroli in September 1758. By January 1760 a serenata he wrote was performed in the gallery of the royal palace and about that time he completed a new third act for Galuppi's La nozze (staged in the S Cecilia theatre). In that year he also dated the autograph manuscript of his Stabat mater. He was apparently joined in Palermo by his brother, Pietro, in 1762. The administrative journals of the conservatory list pay records for Logroscino as late as 30 November 1764, but a gap in these records then stretches until September 1767. Nevertheless, the libretto for the serenata Il tempio dell'onore, dated 12 January 1765, refers to the composer as already dead.