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New to cantatas? Learn more about the cantata experience https://shorturl.at/UF2rN The textual design of Bach’s longest and most complex motet, Jesu, meine Freude, BWV 227, is impressive and unusual in its own right. All six verses of the chorale text are set, interspersed by several verses from Romans (forming an eleven movement set of chorale variations). It is the transformative quality of these verses that seem best to explain Bach’s structural framework of the piece which is virtually palindromic: the second movement of the motet speaks of those who are ‘in Christ’, whereas the next to last movement turns the idea around referring to the Spirit of Christ dwelling ‘in you’. Much of the same musical material is utilized in both verses. Other mirror images abound. The work opens and closes with a simple four-part setting of the chorale. The fourth movement is a trio for high voices, the fourth to last, a trio for low voices. The centerpiece is a fugue of exquisite tenderness and lyricism. It is an exhaustive exploration of this particular chorale tune, the reason, Craig Smith suggested, for his never returning to that tune again – as if there was no more to say. © Michael Beattie Cantata Notes: https://www.emmanuelmusic.org/bach-no... Text and Translations: https://www.emmanuelmusic.org/bach-tr... Emmanuel Music Orchestra and Choir Ryan Turner, conductor Carley DeFranco, soprano Aurora Martin, soprano Mara Riley, soprano Janet Ross, soprano Kim Leeds, alto Deborah Rentz-Moore, alto Jonas Budris, tenor David Thomas Mather, bass Emmanuel Music Livestream & Production Brad Dumont, Artistic Projects Manager Nate Bryant, Student Assistant to the Artistic Team Aysha Luzia Penha, Student Assistant to the Artistic Team Seth Torres, Live Recording & Mix Engineer Recorded live at Emmanuel Episcopal Church in Boston. October 13, 2024. Learn more at https://www.emmanuelmusic.org/ Consider supporting Emmanuel Music https://shorturl.at/UVT5J