Jazz Backing Track #1 – C Minor Modal Groove 93 BPM of Smooth Jazz скачать в хорошем качестве

Jazz Backing Track #1 – C Minor Modal Groove 93 BPM of Smooth Jazz

Welcome to Jazz Backing Track #1 – C Minor Modal Groove (93 BPM). This track is designed for jazz improvisation practice, especially for exploring modal approaches in C minor. You can use it to practice scales such as: C Dorian C Aeolian C Blues scale C Minor Pentatonic Perfect for guitar, piano, saxophone, trumpet, or any melodic instrument. Feel free to jam, experiment with phrasing, and develop your soloing ideas. If you enjoy this track, don’t forget to subscribe for more backing tracks in different keys and styles. 1. Basic Setup Key: C minor Tempo: 93 BPM General mood: melancholic, floating, modal minor sound. 2. Chord Reharmonization Turn simple triads or sevenths into extended chords. C minor 7 can become C minor 9 or 11. F minor 7 can become F minor 9 or 11. A flat major 7 can include 9th or 13th, and even sharp 11 for a modern sound. B flat can be treated as B flat 13 or B flat dominant 7 with tensions. Optionally replace B flat with G7 altered for stronger dominant resolution. 3. Modal and Scale Choices Over C minor 7: use C Dorian for a brighter sound or C Aeolian for a darker mood. Over F minor 7: use F Aeolian or F Dorian depending on desired color. Over A flat major 7: use A flat Lydian to add a floating, modern sound. Over B flat: use B flat Mixolydian for bluesy or dominant flavor. Over altered dominants like G7 alt: use altered scale or diminished scale. 4. Comping and Rhythm Swing feel: walking bass with syncopated chords. Ballad feel: sustain root notes and add rich voicings on top. Latin or Bossa Nova style: broken rhythm patterns to emphasize modal color. Leave space and use chordal clusters for a modern jazz touch. 5. Improvisation Approach Follow guide tones (thirds and sevenths) to create smooth lines through chords. Use ascending motifs across the cycle C minor → F minor → A flat major. Add blues notes or chromatic passing tones between B flat and C minor. Mix modal runs with short bebop-like phrases for contrast. 6. Practical Example A possible jazz reharmonization of a short section: C minor 9 → A flat major 7 with sharp 11 → F minor 9 → B flat 13 with sharp 11 → C minor 11 → G7 altered → C minor 9. 7. Key Ideas to Remember Use tensions like 9th, 11th, 13th, sharp 11, flat 13. Shape the mood with mode choice (Dorian brighter, Aeolian darker). Strengthen cadences by turning B flat into a dominant or using tritone substitutions. Experiment with rhythm: swing, Latin, or ballad.