The Sound of Eurovision 2023: Josh Lloyd (Britannia Row) talks RME, DirectOut and Ferrofish скачать в хорошем качестве

The Sound of Eurovision 2023: Josh Lloyd (Britannia Row) talks RME, DirectOut and Ferrofish

Learn more about our range of Pro Audio solutions here: https://www.synthax.co.uk/ Learn more about Britannia Row here: https://www.britanniarow.com/ Love it or hate it, the Eurovision Song Contest is one of the most popular globally televised music events, with this year’s show raking in around 160 million viewers worldwide. Naturally the production is a huge operation, with each performance delivering a unique combination of lighting, visuals, choreography and a variety of props, with lightning-fast set changes required in between each track. The audio infrastructure was supplied by Britannia Row Productions, a premium rental service that provides audio and tour support for artists like Harry Styles and the Foo Fighters, as well as other large televised events such as the Brit Awards and the MTV EMAs. Based around a converged network involving huge numbers of channels, audio at Eurovision was distributed to multiple destinations – and with multiple layers of redundancy – supplying the playback rig, monitoring, PA and front of house, as well a fleet of OB trucks for the broadcast mix. To find out more about what goes into the design of such a large-scale production, we sat down with Britannia Row’s Head of Engineering Josh Lloyd, who kindly gave us a behind the scenes look at the system he devised for Eurovision 2023. Subscribe to our Channel here: http://www.youtube.com/user/synthaxtv... Website: http://www.synthax.co.uk Facebook:   / synthaxaudiouk   Twitter:   / synthaxaudio   Instagram:   / synthaxaudiouk   LinkedIn:   / synthaxaudiouk   Chapters: 00:00 Introduction 01:06 DirectOut PRODIGY.MP 03:21 DirectOut ANDIAMO 04:00 Globcon 05:21 Ferrofish A32pro Dante 06:09 RME Audio (MADIface XT and M-1610 Pro) 08:14 Why RME?