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Bernhard Molique – Concertino in G minor for oboe and orchestra, Diana Doherty (oboe), Queensland Symphony Orchestra, Werner Andreas Albert (conductor) Allegro vivace – Adagio - Allegro Bernhard Molique (Wilhelm Bernhard Molique; 7 October 1802 – 10 May 1869) was a German violinist and composer. He was born in Nuremberg. His father was a musician and the boy studied various instruments, but finally devoted himself to the violin. In 1815, he received some lessons from Louis Spohr, and then studied the violin for two years at the University of Munich under Pietro Rovelli. He wrote Chamber music and many concertante works (violin and cello concertos and concertos for wind instruments). His Fifth Violin Concerto was championed by Joseph Joachim, and Hans von Bülow considered Molique's Op. 27 Piano Trio to be a favourite work. After his period in Stuttgart where he conducted the orchestra between 1826 and 1849, Molique undertook several tours and ended his career teaching at London's Royal Academy of Music. Arguably the most significant oboe composition of the 19th century is his Concertino. It is an extremely difficult work that defies the instrument's limitations at the time; composed in 1829, it therefore predates the advanced stages of mechanisation of the oboe. The work was premiered by Friedrich Ruthardt, who played in the orchestra at Stuttgart. The piece employs a high G (g'") several times, which was beyond the capabilities of all but the most experimental oboes. Other features, such as the passages in keys difficult to execute and the chromatic trills on ascending melodic lines, imply that Ruthardt could have had access to an unusual instrument, such as the 1825 Sellner model with 13 keys. This kind of boldness in Molique's music drew praise from contemporaries like Mendelssohn, Schumann and Berlioz. (extract from Album booklet by Lyle Chan)