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#Golf #GolfLesson #GolfSwing #WorkingGolfer #golf #golfswing #golflesson #golftips #driverswing #weekendgolfer #driver #driverswing #GolfTip #FreeLesson #DownBlow #ゴルフ #高尔夫球 Links & Contact (직딩골프) Instagram: https:///www.instagram.com/youtube_weekendgolfer/ Coach Park Jeong-gi: 010-2790-4409 https://www.instagram.com/park_jk1194... Hackmotion (핵모션) Wrist Sensor Purchase: https://hackmotion.com/weekendgolfer !!!!5% Discount Coupon Code!!!! wknd5 ------------ In this video, I team up with professional golfer Park Jeong-gi to delve deeply into the concept of “creating a swing that produces a lower ball flight.” Anyone who has ever dealt with driver or iron shots that fly too high, or tried to lower the trajectory only to struggle with hooks or shaky direction, will find a wealth of insight here. The goal was to understand how to systematically lower the ball’s flight without sacrificing accuracy or control, ultimately leading to a more versatile and dependable swing. To lower the trajectory, I experimented with various feelings in my swing: rotating my wrists a bit more, pressing the club downward at impact, or deliberately trying to keep the ball low with a pronounced forward shaft lean. However, whenever I attempted these changes, I often ended up hitting undesirable hooks or feeling an over-tense motion right after impact. It was frustrating because I knew I wanted a lower ball flight, yet I felt stuck in patterns that caused me to lose consistency or risk curving the ball too much. During the lesson, we tackled these issues head-on. Rather than forcing my hands to rotate excessively or aggressively “trap” the ball, we worked on eliminating common mistakes and allowing the club to move in a more natural, flowing manner. Instead of thinking, “I have to strike the ball to keep it low,” the emphasis was on creating a smooth release where the club is practically tossed in the correct direction, thus controlling trajectory more instinctively rather than by sheer force. Park Jeong-gi began by adjusting my setup and ball position. With the ball slightly back in my stance, the clubface and hand alignment at address became more favorable for achieving a lower flight. But the real breakthrough happened when we analyzed the root causes of a closing clubface. By addressing how and when the wrists should be used throughout the swing—especially at impact—we unraveled the reason certain shots flew too high or careened off-line. One of the memorable takeaways was the idea that “trying too hard to hit it low” can create excessive tension in the upper body. Instead of forcibly pressing down on the ball, the lesson highlighted a gentler, more fluid wrist action. By letting the wrists snap or whip through the hitting zone, the club’s loft was managed more effectively. This approach reduced hooks, took some pressure off my arms, and made it easier to maintain a straighter flight path when I aimed to keep the ball lower. Interestingly, we discovered that if my chest and arms are moving correctly, my lower body reacts intuitively to that motion. There was little need to consciously activate my hips or legs. Once my arms and shoulders moved in unison toward the target, the lower body began to pivot and shift in a natural sequence. This synergy between upper and lower body was far more effective than any contrived attempt to force my lower half to “move first.” By trusting the chain reaction initiated by the proper arm swing, I found a smoother transition in my downswing, and the club delivered a crisp, lower flight. We extended the lesson to incorporate the concept of initiating the swing with the waist or core instead of just the arms. This opened my hips more effectively and improved the separation between my upper and lower body. Even though I wanted to swing with power, transferring that intent from my arms to my midsection facilitated a more efficient energy transfer. At the same time, tension in my upper body decreased because the effort was more evenly distributed. Perhaps the most critical point was shifting my mindset from “I need to hit the ball” to “I need to swing the club.” As soon as I focused on a directional, flowing image—tracking the path I wanted the club to travel—rather than obsessing over making contact, my shots began naturally lowering their trajectory. My finish felt more complete and balanced, and the ball’s initial launch was noticeably lower without sacrificing distance or stability.