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Acts of environmental violence, from the casual to the catastrophic, seem to grow more commonplace and inconspicuous by the day. At the same time that consumer branding touting taglines of “natural, green, and eco-friendly” gain increasing currency in the marketplace, big business and industry continue to churn through natural resources with little consequence or regard. Global summits and regulation continually fail to gain traction or compliance in response, and eco-activists hurling paint upon art history feels daftly counterproductive. In this fraught context, Chilean-American artist Soledad Salamé proposes a poetic form of intervention marrying art, research, and re-invention. Soledad Salamé: Camouflage and its related programming is supported by The Andy Warhol Foundation for the Arts and the Cynthia Woods Mitchell Center for the Arts, with significant support from Sue Payne. Additional support from Surpik Angelini, Ruth Dreessen, Sally Jabaley, M. Diane Marks, and Anonymous make this exhibition possible. Soledad Salamé: Camouflage was commissioned by Steven Matijcio, with logistical and curatorial support from Amy Raehse and Goya Contemporary. Special thanks to Surpik Angelini, Michael Koryta, and Lowery Stokes Sims.