Ricardo-Liszt - En Douze Transcendental Etudes скачать в хорошем качестве

Ricardo-Liszt - En Douze Transcendental Etudes

RE-UPLOAD: Fixed some editing mistakes and removed the memes at the end. 0:00 - I. Preludio Transcendental Étude No. 1 in C major, "Preludio" is the first of twelve Transcendental Études by Franz Liszt. It is the shortest étude of the set, lasting approximately a minute. 1:44 - II. Fusees Transcendental Étude No. 2 in A minor, "Molto vivace", is the second of twelve Transcendental Études by Franz Liszt. The occasionally used alternate title Fusées (French: “Rockets”) is not Liszt's own and was not approved by Liszt. It was added by Ferruccio Busoni in his edition of the Études. It is a study in alternating hands, hands overlapping, both hands playing the same note alternatingly, and steep right-hand leaps. 6:46 - III. Paysage Transcendental Étude No. 3 in F major, "Paysage" (Scenery) is the third of twelve Transcendental Études by Franz Liszt. It is generally considered to be one of the less difficult studies. The piece suggests a peaceful country scene. It is said that Liszt got the idea of writing this étude while watching the scenery change during a train ride. The first section is played poco adagio with a sempre legato e placido indication at the start. There are gentle arpeggios and constant dynamic changes and syncopation, and the melody is often played in thirds or octaves. 14:52 - IV. Mazeppa Transcendental Étude No. 4 in D minor, "Mazeppa" is the fourth of twelve Transcendental Études by Franz Liszt. It was published in 1852 and is part of a much larger cultural legacy of Mazeppa. Lord Byron wrote an epic poem Mazeppa in 1818, but Liszt's Mazeppa is based upon a poem by Victor Hugo which was published in 1829 as a part of a collection Les Orientales. Hugo's poem is included in Liszt's original manuscript. 29:32 - V. Feux Follets Transcendental Étude No. 5 in B♭ major, "Feux follets" (Wills o' the Wisp) is the fifth of twelve Transcendental Études by Franz Liszt. 35:56 - VI. Vision Transcendental Étude No. 6 in G minor, "Vision" is the sixth of twelve Transcendental Études by Franz Liszt. It is a study of the extensions of the hand, hands moving in opposite directions, arpeggiated double notes, and tremolos. 44:03 - VII. Eroica Transcendental Étude No. 7 in E♭ major, "Eroica" is the seventh of the twelve Transcendental Études by Franz Liszt. It is a study of rapid downward runs, bravura and octaves (at the end). 53:03 - VIII. Wilde Jagd Transcendental Étude No. 8 in C minor, "Wilde Jagd" (Wild Hunt) is the eighth of twelve Transcendental Études by Franz Liszt. The 1837 version of this piece is in sonata form, with a first subject in C minor, second subject in E♭ major, and a recapitulation of the first subject. It is monothematic (the second subject material is derived from the first subject material). Liszt removed the final recapitulation of the first subject in the 1851 version of the piece, along with an extended bravura passage preceding it. 1:03:00 - IX. Ricordanza Transcendental Étude No. 9 in A♭ major, "Ricordanza" is the ninth of twelve Transcendental Études by Franz Liszt. It has wild but gentle cadenzas and demands delicate finger work. There are some areas with syncopation similar to Frédéric Chopin's Étude Op. 10, No. 3. This is a good introduction to Liszt's pianistic style. The piece is in Rondo form, with a relatively brief recurring principal theme in between lengthy episodes. Ferruccio Busoni referred to this piece as "a bundle of faded love letters". 1:18:06 - X. Appassionata Transcendental Étude No. 10 in F minor, "Allegro agitato molto", is the tenth of twelve Transcendental Études by Franz Liszt. The occasionally used alternate title, “Appassionata”, was not given or authorized by Liszt, but instead provided by Ferruccio Busoni, in an early edition. 1:27:56 - XI. Harmonies du soir Transcendental Étude No. 11 in D♭ major, "Harmonies du soir" is the eleventh of twelve Transcendental Études by Franz Liszt. This étude is a study in harmonies, broken chords played in quick succession, full octave jumps, chromatic harmonies, chord variations, interlocking hands, bravura, massive chords, and pedalling. 1:43:48 - XII. Chasse-neige Transcendental Étude No. 12 in B♭ minor, "Chasse-neige" (snow-whirls) is the last of twelve Transcendental Études by Franz Liszt. The étude is a study in tremolos but contains many other difficulties like wide jumps and fast chromatic scales, and it requires a very gentle and soft touch in the beginning. The piece gradually builds up to a powerful climax. It is one of the most difficult piano pieces, being ranked 9 out of 9 by publisher G. Henle Verlag—the highest possible difficulty ranking. #sheetmusic #liszt #piano