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Raag Barwa /Pilu Barwa Tutorial. Chalan followed by a Jhaptal composition. Kafi ThaaT R P Vadi Samvadi Blend of Kafi, Desi and Sindhura Time could be early morning early afternoon or early evening. Dawn to Dusk.(controversial) Since the Raag is based on Dhun, hence the Grammar is not very strict and artists have rendered it with Liberty. Barwetyapich Raagosti Khudrageetasamaashrayah | Rishabhaangshashch SampoorNah Sangwadat Pancham Swarah || Dwou Gaandhaarou Dhaivatou Dwou Nishaadou Dwou Sameeritou | Rishabh Teevra Aakhyaatou Madhyamah Komalah Smritah || Imaawadhunikou Raagou Peelubarwetinaamkou | Manye Prasiddhimaanitou Nanam Vishikhagaayakeih || From Sangeet Sukhaakare The Sanskrit Slok says : Barwa Raag is a small Raag - Khudra Geet Rishabh and Pancham are Vaasu Samvaadi 2 Ga Dha and Ni are present Re is Shuddha and Ma is Shuddha [earlier there was no concept of shuddba, Only komal and Tivra were said. Like Komal Re ans Tivra Re] This Dhun or Raag is also called Pilu Barwa This is how the Raag is popular and performed by distinguished musicians. Do Do Hai Dha Ga Ni Jahaan Komal Madhyam Jaani | Pa Ri Samvaadi Vaadi Te Barwaa Raag Bakhaani || From Raag Chandrikaasaar This Slok also stated that Barwaa has Two Ga Two Dha and 2 Ni. Shuddh Ma is there and R P Vaadi Samvaadi. However from the available notations and recordings, the use of 2 dhaivats were not found. The Aroh Avroh could be S R M P D M P N S' / S R M P D M P D N S' N S' R' g' R' S' n D P M P g Rg SR S Desi Ang Rg SR ,nS or Rg SR S or Rg ---S Kafi is there mostly in many phrases and in use of Shuddha Ga and Shuddha Ni. RMPD MP Mg R- RMPDn DPMg R PDNS' - MPNS' S'nDP MP g R P D n S' MPD MP MG GMP gR Sindhura R M P - MPD g- M P N S' - RMgRgRS - MPD g- ,NSgRMgRG- P D S RMgRg There is also presence of Pilu as the name suggests and some common phrases of Pilu are there like that is Sindhura ,N S R MgRg We could also use Shuddha Ga like Pilu. S GG M GM g R The komal dhaivat could come in Desi ang like R M P d MP g R There is another form of Barwa(among 5 types of Barwaa) mentioned with Shudda Ga in Ustad Ali Akbar Khan's notation S G M D n S' S' n D P M g R S THANKS TO Arin Bhaduri Sir and my friend Sambuddha for helping me with the Sanskrit Slok. Jhaptal Lyric from Kramik Pustak Malika Barwa Chapfed, recomposed by myself. Soch Samajh Man Ub Maan Le Pyaare Niranjan Nirangkar Jagko Khewan Haar Aparampaar Ishwar Sumiran Haare #barwa #pilubarwa #barwamoumitamitra #pilubarwamoumitamitra #barwatutorial #barwatutorialmoumitamitra #rareragamoumitamitra