Anatoly Lyadov - from the Apocalypse, Op. 66 (1912) скачать в хорошем качестве

Anatoly Lyadov - from the Apocalypse, Op. 66 (1912)

Anatoly Konstantinovich Lyadov or Liadov (Russian: Анато́лий Константи́нович Ля́дов; 12 May [O.S. 30 April] 1855 – 28 August [O.S. 15 August] 1914) was a Russian composer, teacher and conductor. Please support my channel: https://ko-fi.com/bartjebartmans From the Apocalypse, symphonic picture for orchestra, Op. 66 (1910–1912) USSR State Symphony Orchestra conducted by Evgeny Svetlanov He taught at the St. Petersburg Conservatory from 1878, his pupils including Sergei Prokofiev, Nikolai Myaskovsky, Mikhail Gnesin, Lazare Saminsky, Lyubov Streicher and Boris Asafyev. Consistent with his character, he was a variable but at times brilliant instructor. Conductor Nikolai Malko, who studied harmony with him at the conservatory, wrote, "Lyadov's critical comments were always precise, clear, understandable, constructive, and brief.... And it was done indolently, without haste, sometimes seemingly disdainfully. He could suddenly stop in midword, take out some small scissors from his pocket and start doing something with his fingernail, while we all waited." Igor Stravinsky remarked that Lyadov was as strict with himself as he was with his pupils, writing with great precision and demanding fine attention to detail. Prokofiev recalled that even the most innocent musical innovations drove the conservative Lyadov crazy. "Shoving his hands in his pockets and rocking in his soft woollen shoes without heels, he would say, 'I don't understand why you are studying with me. Go to Richard Strauss. Go to Debussy.' This was said in a tone that meant 'Go to the devil!'" Still, Lyadov told his acquaintances about Prokofiev. "I am obliged to teach him. He must form his technique, his style—first in piano music." In 1905 he resigned briefly over the dismissal of Rimsky-Korsakov, only to return when Rimsky-Korsakov was reinstated. He had honored Lyadov with a copy of the score of his Manfred Symphony. Now that he had actually met the man face-to-face, the younger composer became "dear Lyadov." He became a frequent visitor to Lyadov and the rest of the Belyayev Circle, beginning in the winter of 1890. He married into money in 1884, acquiring through his marriage a country property in Polynovka estate, Borovichevsky uezd, Novgorod Governorate, where he spent his summers composing unhurriedly, and where he died in 1914.