PEK Solo, A Quartet of PEKs – Fixed Intentions for the Saxophone Family Shorty 02 скачать в хорошем качестве

PEK Solo, A Quartet of PEKs – Fixed Intentions for the Saxophone Family Shorty 02

YouTube:    • PEK Solo, A Quartet of PEKs - Fixed Intent...   Evil Clown Album Page https://www.evilclown.rocks/pek-solo-... Evil Clown Facebook site   / giantevilclown   bandcamp: https://peksolo.bandcamp.com/album/fi... squidco: http://www.squidco.com/miva/merchant.... Soundcloud:   / pek-solo-a-quartet-of-peks-fixed-intention...   Evil Clown 9253 Evil Clown Headquarters, Waltham MA September 7, 2020 Fixed Intentions for the Saxophone Family – 59:28 PEK –- Saxophones (sopranino, soprano, alto, tenor, baritone, bass) PEK SOLO / A QUARTET OF PEKS Fixed Intentions for the Saxophone Family (Evil Clown 9253, USA) Perhaps isolationism is something of an inspirational motivator for Mr. Dave PEK. Or maybe it’s functioning as an auditory aphrodisiac of sorts? Either way, the man’s dogged work ethic and recorded catalog shows no signs of slowing down and being left to his own devices has apparently had a truly demonstrative effect. On yet another marathon session, the results of which inform this hour-plus entreé, PEK’s declamatory saxophone symphonies set both the mind and ear on ever-soaring higher flights of spiritualistic expression, footloose and fancy-free. PEK has described his approach to his horn playing as more cerebral rather than emotional in nature, but these overdubbed striations of breath and bluster don’t glibly achieve lift-off just from the ‘ol think tank. Like forebears Coltrane, McPhee, and other saxophonists to whom the act of blowing becomes heavenly genuflection, PEK’s categorization of his own playing as such does it something of a disservice. There might be a calculated modus operandi at play throughout, a sense and sensibility coloring his navigation through such seemingly impenetrable improvisational vectors, but the fact that these expansive, magma-hot soundflows never degenerate into cacophonic noteplay speaks volumes about the artist’s fleet control and smart, logical progressions. There is a suite-like structure here that finds PEK alternating quieter introspection with full-on interstellar overdrive; later sections find him playing a series of speedy, cascading vamps that send trembles out of the speaker cones and down your spine. Varying shades of tone, hue, and cry are splayed out in widening arcs, only to be finally corralled and parsed as we await the next motif with bated breath, PEK’s ‘quartet’ of respirations igniting the imagination with nothing less than awe. Darren Bergstein, DMG