West Lothian Producers Market | Tern HSD S8i | DJI Osmo 360 скачать в хорошем качестве

West Lothian Producers Market | Tern HSD S8i | DJI Osmo 360

My Tern HSD cargo bike is ideal for use as a shopping trolley when I visit the monthly West Lothian Producers Market in Livingston. I've had a fancy for a while to make a video of one of my visits but could never work out how I'd deal with cameras, a bike and the shopping. But just recently I bought a DJI Osmo 360 camera and reckoned it could be the answer. So here's the video I made. And here are my thoughts on the DJI Osmo 360 camera and on DJI's Studio software that has to be used to process the equirectangular files from the camera into something useable: The DJI Osmo 360 camera was on a selfie stick mounted vertically to the front rack of my cargo bike. Video was recorded in D-LOG M 10-bit and processed in DJI Studio with colour recovery set to 75% intensity with +20 Shadow and +10 Sharpness adjustments. All camera ‘movements’ were edited in DJI Studio before compilation of the edited clips in Final Cut Pro. Camera settings were: panoramic video at 8K/25 fps, white balance 5200K, auto exposure at -0.3EV, auto ISO 100-1600, anti motion blur OFF, endurance mode OFF, and image adjustments at texture 0, noise reduction 0. Audio was recorded wirelessly from the DJI Mic Mini attached to the headband of my cap. A wind muff was fitted to the mic. In camera mic settings were: channel Stereo, wind noise reduction High. Overall I was pleased with the colours and the detail in the processed files. 360º coverage is achieved by stitching together the images from two ultra wide angle lenses. This produces a stitch line that can be seen in some shots but which I think is well managed by the software and is acceptably minimal. My reason for trying a 360º camera is to reduce the amount of stuff I carry to record a bike ride, while obtaining a variety of camera angles without having to interrupt the ride to set up different shots. I think this setup goes some way to achieving that. The downsides are that the camera files can only be read and processed in DJI’s proprietary Studio software and the subsequent time that is spent exploring all of the possible angles in editing the footage. DJI Studio software does offer a good range of controls and overall does do a good job, but I found it a bit clunky to use (and highly processor intensive: I’d never heard the fans running on my M1 Pro MacBook Pro until processing the files for this video!). I’m counting on DJI making improvements to the user interface and bringing updates as the software matures. One noticeable issue is that the timeline in Studio is fixed at 30 fps, regardless of the imported or exported frame rate. So for a file recorded at 25 fps the timeline adds a duplicate frame after every fifth frame. This makes accurate key-framing awkward and leads to a drift in audio synchronisation. These irritations are corrected when the edited file is exported but it would be good to be able to set the timeline frame rate to match the file being processed.