У нас вы можете посмотреть бесплатно Italian Baroque Classical Music или скачать в максимальном доступном качестве, видео которое было загружено на ютуб. Для загрузки выберите вариант из формы ниже:
Если кнопки скачивания не
загрузились
НАЖМИТЕ ЗДЕСЬ или обновите страницу
Если возникают проблемы со скачиванием видео, пожалуйста напишите в поддержку по адресу внизу
страницы.
Спасибо за использование сервиса ClipSaver.ru
Vestiva i colli Vestiva i colli Ensemble Aurora Palestrina, Giovanni Pierluigi da Sacrae symphoniae (1597) Sacrae symphoniae: Canzon in echo duodecimi toni a 10 Anonymous Gabrieli, Giovanni Il primo libro de balli Il primo libro de balli: Pass'e mezzo della Paganina e Saltarello Consort Veneto|Toffano, Giovanni Mainerio, Giorgio Toccata per Spinettina e Violino Toccata per Spinettina e Violino Anonymous Frescobaldi, Girolamo Alessandro Il terzo libro de varie sonate, sinfonie, gagliarde, brandi e corrente, Op. 12 Il terzo libro de varie sonate, sinfonie, gagliarde, brandi e corrente, Op. 12: Sonata sopra l'aria di Ruggiero Marcante, Emanuela|Ruggiero, Il Rossi, Salamone Componimenti musicali de motetti concertati Componimenti musicali de motetti concertati: O invictissima Albanese, Angela|Cappella Artemisia|Fiori, Alessandra|Reese, Rebecca|Smith, Candace|Vaccari, Patrizia Vizzana, Lucrezia Orsina Laudate Dominum a 8 Laudate Dominum a 8: Sicut erat Milan La Scala Chorus|Orchestra della Cappella Musicale di San Petronio|San Petronio Cappella Musicale Chorus|Tölz Boys' Choir|Vartolo, Sergio Colonna, Giovanni Paolo Sonata a 3 in G Major, Op. 4, No. 10 I. Preludio: Adagio - Allegro Ruggiero, Il Corelli, Arcangelo Sonata a 3 in G Major, Op. 4, No. 10 II. Grave Ruggiero, Il Corelli, Arcangelo Sonata a 3 in G Major, Op. 4, No. 10 III. Tempo di gavotta: Presto Ruggiero, Il Corelli, Arcangelo Toccata in G Minor Toccata in G Minor: Spiritoso Alvini, Laura Scarlatti, Alessandro Cieli voi che ascondete Cieli voi che ascondete Anonymous|Anonymous Perti, Giacomo Antonio Oboe Sonata in C Minor, RV 53 I. Adagio Pollastri, Paolo|Vivaldi Consort Vivaldi, Antonio Oboe Sonata in C Minor, RV 53 II. Allegro Pollastri, Paolo|Vivaldi Consort Vivaldi, Antonio Oboe Sonata in C Minor, RV 53 III. Andante Pollastri, Paolo|Vivaldi Consort Vivaldi, Antonio Oboe Sonata in C Minor, RV 53 IV. Allegro Pollastri, Paolo|Vivaldi Consort Vivaldi, Antonio Sonate d'intavolatura, Book 1 Sonate d'intavolatura, Book I: Pastorale in C Major Vartolo, Sergio Zipoli, Domenico L'occasion delle mie pene L'occasion delle mie pene Anonymous Hasse, Johann Adolf Sonata No. 1 in B-Flat Major, Op. 5, G. 25 Sonata No. 1 in B-Flat Major, Op. 5, G. 25: II. Adagio Angeleri, Franco|Gatti, Enrico Boccherini, Luigi Sonata No. 4 in D Major, Op. 5, G. 28 Sonata No. 4 in D Major, Op. 5, G. 28: III. Rondo: Tempo di minuetto Angeleri, Franco|Gatti, Enrico Boccherini, Luigi Concertino in G Major (version for oboe and strings) Concertino in G Major: IV. — (version for oboe and strings) Pollastri, Paolo|Quartetto Amati Salieri, Antonio String Quartet No. 2 String Quartet No. 2: Overture Quartetto Amati Salieri, Antonio (P)(C) Tactus Sas Italy Image Licensed From Shutterstock.com User ID: 291872011 All Rights Reserved The period from about 1600 to 1750 encompasses the Baroque era of music. Many important things happened in this period. One was a return to the melodic complexities of polyphony; however, the melodies ran within a modern, established system of harmony based on chords and major and minor scales. This latter element is an extension of the concept of homophonic music and allowed melodic complexity of any variance to rise to dominance over the importance of text. The struggle for dominance between text and music goes back to the music of the Greeks and is still going on in all forms of European art music and popular music. This new dominance of melody within harmony at the expense of text led to great changes, including the expansion and invention of instrumental resources of the orchestra; the keyboard was extended in both directions; the making of instruments such as those by Stradivarius became a great industry in Cremona; and instrumental music started to develop as a separate "track," quite apart from the traditional role of accompanying the human voice. Instrumental forms include such things as the sonata and fugue. Well-known and influential musical figures from this time period in Italy include Alessandro and Domenico Scarlatti, Benedetto Marcello and Antonio Vivaldi, representing the importance of Naples and Venice, respectively, within this period. #Baroque #Italian #ClassicalMusic