Max Webster - 1974.02.02 Larry's Hideaway, Toronto, ON скачать в хорошем качестве

Max Webster - 1974.02.02 Larry's Hideaway, Toronto, ON

All songs composed by Mitchell/Dubois (except track 2 by Johnston, tracks 3 and 14 by Anderson, track 5 by Anderson/Anderson, track 7 by Walsh, track 10 by King, track 11 by Page/Plant, and track 13 by Mitchell/Bruton). Larry's Hideaway - Toronto, ON February 2, 1974 Kim Mitchell - guitar & lead vocals Mike Tilka - bass & vocals Jim Bruton - keyboards & vocals Paul Kersey - drums 1) Marmalade Mama 2) China Grove, a 3) Cross-Eyed Mary, b 4) The Chomper 5) Aqualung, b 6) Here Among The Cats 7) Meadows, c [cut] 8) Tiny Pots 9) There's No Life 10) Come On (Part I), d [cut] 11) Dancing Days, e 12) Who Sura 13) Dreams Aren't As Real 14) Locomotive Breath, b a = Doobie Brothers cover b = Jethro Tull cover c = Barnstorm cover d = Jimi Hendrix Experience cover e = Led Zeppelin cover This is a great recording of an early Max Webster gig. What makes this especially significant is that Jim "Sparks" Bruton is still on keyboards (he would be replaced by Terry Watkinson under two weeks later). The setlist is half original songs and half covers - so if you've ever wanted to hear what Max Webster sounds like playing Zeppelin, now's your chance ! Amongst the early originals is Dreams Aren't As Real, the one Max Webster song written by Bruton (music) and Mitchell (lyrics). Who Sura (pronounced "Hoosh Rah") is a short and bizarre composition that defies any reasonable musical description. Mitchell sings over some jazzy guitar lines, while his bandmates offer an interlude with completely foreign instrumentation — Bruton on alto saxophone, Kersey on harmonica, and Tilka on trombone. Mitchell revived this piece for a few of their reunion gigs in the 1990s. Neither song would ever be recorded. This is likely one of the earliest performances of Here Among The Cats, and it's probably the only recording of the band having a serious miscue on stage, near the end of the song. Tilka drops a clam in Aqualung as well, and on both occasions Mitchell can be heard having a giggle over it. A year into their existence they're a serious band, but they're not taking themselves too seriously. They are otherwise extremely tight and well-rehearsed. Amongst the covers are three Jethro Tull tunes. Aqualung has Sparks covering the 12-string acoustic part on the Wurlitzer, and Mitchell's solo towards the end is leaps and bounds beyond the original. Riveting, dynamic stuff. http://maxwebsterlive.ca/1974-02-02-t...