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How 'Asteroid City' Production Designer Creates the Worlds of Wes Anderson | Vanity Fair

Production designer Adam Stockhausen shows us how he brings sets to life for Wes Anderson's iconic films like 'The Budapest Hotel,' 'The French Dispatch' and 'Asteroid City.' How do you get the retro look and feel of the Luncheonette scene? How do you portray depth and richness in each shot? How can you make sets "float" for the insides to be seen and be as light as possible? From ample research to gather all the intricate details to physically bringing the sets to life, Adam takes us through his genius process of production design.  Asteroid City premieres June 16th Director: Adam Lance Garcia Director of Photography: Zach Eisen Editor: Michael Suyeda Guest: Adam Stockhausen Producer: Frank Cosgriff Line Producer: Romeeka Powell Associate Producer: Rafael Vasquez Production Manager: Natasha Soto-Albors Production Coordinator: Jamal Colvin Talent Booker: Meredith Judkins Camera Operator: Brad Wickham Gaffer: Niklas Moller Audio Engineer: Sean Paulsen Production Assistant: Amanda Broll Art Department: Jeremy D. Myles Post Production Supervisor: Edward Taylor Post Production Coordinator: Jovan James Supervising Editor: Kameron Key Assistant Editor: Courtney Karwal Still haven’t subscribed to Vanity Fair on YouTube? ►► http://bit.ly/2z6Ya9M Want to stay in the know? Subscribe to Vanity Fair Magazine and be exquisitely informed ►► http://vntyfr.com/2RuQGW2 ABOUT VANITY FAIR Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture.