У нас вы можете посмотреть бесплатно Burt Bacharach: 'High temperature, low resistance' - 'What's new pussycat?' OST 1965 или скачать в максимальном доступном качестве, видео которое было загружено на ютуб. Для загрузки выберите вариант из формы ниже:
Если кнопки скачивания не
загрузились
НАЖМИТЕ ЗДЕСЬ или обновите страницу
Если возникают проблемы со скачиванием видео, пожалуйста напишите в поддержку по адресу внизу
страницы.
Спасибо за использование сервиса ClipSaver.ru
'What's new pussycat?' may be best remembered for Bacharach’s title song, although it also introduced “My Little Red Book” (performed by Manfred Mann and later covered by Love) and “Here I Am,” recorded by Dionne Warwick. The film launched Woody Allen’s screen career as both an actor and screenwriter. Clive Donner directed a stellar cast led by Peter Sellers, at the height of his fame and Sellers delivers one of his most underrated madcap performances as psychoanalyst Dr. Fritz Fassbender, equal parts Clare Quilty (Lolita) and Inspector Clouseau (The Pink Panther). Sellers was joined by Peter O’Toole as the womanizing Michael James, and Capucine as Fassbender’s patient Renee Lefebvre, stalked by the doctor but actually longing for Michael’s affections. Paula Prentiss (the American tourist in France) and Romy Schneider (Michael’s fiancee) are, of course, also both in love with Michael. A perfect example of the mid-sixties sex comedy, and his screenplay still has its share of deft, farcical moments, Allen shines onscreen in the role of Victor Shakapopulis, a nebbish with dreams of being a ladies’ man himself. The comedy also marked Burt Bacharach’s debut as not only songwriter, but score composer. What’s New Pussycat can be seen as the first of a Bacharach trilogy continuing with After the Fox (1966) and concluding with Casino Royale (1967). All three scores have a similar compositional signature, with Bacharach approaching film scoring much like he did songs, with quirky chord changes and time signature shifts but an unerring sense of melody. His music echoes the wacky action onscreen, employing kazoos, tubas, pianos and horns with nods to waltzes, polkas and jazz.