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In this quick, to-the-point After Effects tutorial, we follow on from the previous matte-painting/object-removal episode and dive into rotoscoping using the built-in Roto Brush. This time, the shot isn’t ideal, soft edges, muddy colours, moving shadows — which makes it a perfect real-world example of how messy Roto Brush can be and how to work around it. You'll learn: How to prep a long shot by splitting it into manageable chunks Best practices for selecting your subject with Roto Brush Fixing common issues (chatter, boiling edges, noisy backgrounds) Using Refine Edge for hair Why “good enough” roto is often all you need How edge blur + light wrap can hide imperfections in a composite This is part of an ongoing series where we turn a clean plate into a full VFX shot with broken windows, fire, smoke, light wrap and night-time grading. Stay tuned for the next episode where we start compositing elements into the scene. If you found this useful, hit subscribe and drop a comment, I read and reply to every one. ------------------------- For more tutorials check out https://liambauckham.com/tutorials/