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Get Destruction - Birth of Malice on Amazon - https://amzn.to/41IdWF2 ...or in the UK - https://amzn.to/3XrLCEg In this interview episode Schmier of the legendary German Thrash Metal band Destruction talks about the band's new 2025 album Birth of Malice and the creative process behind it. Schmier also opens up about some of the lyrics on the album and tells an insane story about how Destruction were attacked by russian bots online for their position. In addition Schmier talks about the early days of Destruction and how such bands as Judas Priest and Accept influenced him... as well as discusses the Fast As a Shark cover Destruction did to pay tribute to Accept. Schmier also speaks about their relationship with Burning Witches, Destruction's legacy, their loyal fans and much more. Enjoy! 00:00 - Welcome back, Schmier! 01:48 - On Birth of Malice 05:21 - On bots vs Destruction 08:58 - On "cheesy" lyrics 11:30 - On this line up 14:07 - On AI & new tech 17:11 - On Accept 19:45 - On Destruction legacy 20:44 - On Burning Witches 22:27 - On New documentary 25:33 - To all the Metal Pilgrims -------- 🤘 Become a Patreon and support the show - / metal_pilgrim ...or become a YouTube Channel Member - / @metalpilgrim THANK YOU FOR ALL YOUR SUPPORT! 👕 Metal Pilgrim merch for your next concert - https://metalpilgrim.net/ 📷 Instagram - / metal_pilgrim 👍 Facebook - / metalpilgrimofficial 🆇 Twitter/X - https://x.com/MetalPilgrimOFC 🤖 Discord - / discord 🎶 Metal 365 Playlist - https://metalpilgrim.net/Metal365 🇺🇦 Support our volunteer efforts here on the ground in Ukraine by donating to Steel Wings Foundation (I am the founder and personally responsible for every penny spent) - https://steelwings.net/en/ -------- Background music: "Uberpunch" Alexander Nakarada (serpentsoundstudios.com) Licensed under Creative Commons: By Attribution 4.0 License -------- All content falls under fair use: any copying of copyrighted material done for a limited and “transformative” purpose, such as to comment upon, criticize, or parody a copyrighted work. Such uses can be done without permission from the copyright owner.