SSP version - TLM 146 - Guruguhadanyam - Balahamsa - Misra Jhampa - Sri Muthuswamy Dikshitar скачать в хорошем качестве

SSP version - TLM 146 - Guruguhadanyam - Balahamsa - Misra Jhampa - Sri Muthuswamy Dikshitar

Certain kritis in its authentic form does not fit into the realm of the Carnatic music of the 'concert era'. These beauties are to be enjoyed as such in their pristine form. This kriti is one such example. This sounds more like a prose tuned to music. The sahityam, especially the first few lines of the caranam elaborates the divine vision had by Muthusvami Dikshitar upon meditating on Sri Subrahmanya. Another 'balahamsa' with total absence of 'rmgs', the characteristic phrase which defines the modern Balahamsa. We have shown several times that both followed the same system of music. Here is one another example. Listen to 'ninnu basi etla' of Svamigal to experience this.    • Walajapet version - TLM 10 - Ninnu basi et...   This is an exquisite video to demonstrate raga svarupa envisioned by Svamigal and Dikshitar are same and not different as it is widely believed now:    • TLM 127 - Walajapet versions are reliable   This is a genuine attempt to interpret the notation given in Sangita Sampradaya Pradarsini, written by Sri Subbarama Dikshithar to the best of the abilities of the presenter. This version is purely baroque and a comparison with the present version impedes listening pleasure. Contact us - [email protected] Visit our blog: https://tlmthelostmelodies.wordpress.... #subbaramadikshitar #guruguha #vibhakti #balahamsa #dikshitar #muthuswamidikshitar #mudduswamy #tlm #thelostmelodies #dikshita #ssp #muthuswamidikshitar #dikshitar250 #Muthuswamidikshitar250 #Sangitasampradayapradarshini #dikshitar #Dikshitar250 #Muthuswamydikshitar250 #subbaramadikshitar #ssp