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In the diatonic and symmetric harmony system series of higher tension and extended chords can be used when writing hybrid four-part harmony chord progressions. With this technique from the Schillinger System of Musical Composition, one may connect triads, sevenths, ninths, elevenths and thirteenth chords. Use the two-layer approach with root in the bass and 3-part upper chordal functions. Strict voice leading requirements are removed. This tutorial presents the fundamentals, the possible chord structures, progressions and examples. Contents: 00:38 Section 1. Introduction 03:00 Section 2. Hybrid four-part harmony chord structures 07:17 Section 3. Hybrid 4-part harmony chord progressions 08:39 Progression 1. Diatonic harmony, constant tension S9 10:48 Progression 2. Diatonic-symmetric harmony, constant tension and chord type Sm9 12:22 Progression 3. Symmetric harmony S6i, constant tension and chord type S11 13:21 Progression 4. Symmetric harmony R4i, constant tension and chord type S13 14:28 Progression 5. Symmetric harmony R3i, constant tension and chord type SM9 15:11 Progression 6. Symmetric harmony S2i, constant tension and chord type Sm9 16:03 Progression 7. Diatonic harmony system, variable tension 17:43 Section 4. Composition example, synthesizer texture, woodwinds and rhythm 22:25 Summary and conclusion Support video tutorial production on this channel? PayPal donation: https://www.fransabsil.nl/htm/archive... Website: https://www.fransabsil.nl #HybridFourPartHarmony #SchillingerSystemOfMusicalComposition #ChordProgression