Henri Tomasi: Évocations (1967) скачать в хорошем качестве

Henri Tomasi: Évocations (1967)

00:00 - I. Peruvienne 02:18 - II. Nigerienne: Giocoso 04:08 - III. Cambodgienne (Apsaras): Lent 06:58 - IV. Ecossaise: Lent _____ Oboe: Bengt Rosengren Year of Recording: 2010 _____ "This work dates from 1967 and was likely premiered at the Paris Conservatoire shortly thereafter. It is scored for unaccompanied oboe or English horn. Tomasi's Evocations dates from 1967 and is one of his last pieces. Dedicated to the professor of oboe at the Paris Conservatoire, Étienne Baudo, the work is divided into four movements, each of which are a portrait of a woman from a different country. The first movement, Péruvienne, is based on two Peruvian dances. The herranza is a traditional mourning dance in which a woman plays a drum while singing. Similarly, the huaco is a dance from a labour festival involving pipes and drums. Nigerienne is based on an African song called the Ajogan. Wives sing this to praise husbands and degrade his enemies. Tomasi reflects the practice of repeating phrases so the message is clear. Cambodienne depicts the women who dance for the pinn peat ensembles - percussion groups akin to Indonesian gamelan. They are seen in local culture as messengers to the gods. The final movement, Ecossaise, is a Scottish jig based on the folk song. Now simmer blinks on flow'ry braes." (Orpheus Music Prose) _____ © COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.