Chopin: Fantasie - Impromptu in C-sharp Minor, Op.66 скачать в хорошем качестве

Chopin: Fantasie - Impromptu in C-sharp Minor, Op.66

Fantasie- Impromptu in C- sharp minor, Op.66 Composer: Fredric Chopin Pianist: Gregory Yelizarov (13 y.o.) Grand Prize winner Carnegie Hall multiple performer Frédéric Chopin (1810) was a Polish composer and virtuoso pianist who revolutionized piano music with his innovative style and emotional depth. Born near Warsaw, Chopin began composing at a young age, influenced by his mother and sister. He studied music theory at the Warsaw Conservatory and later moved to Paris, where he became a renowned teacher, composer, and performer. Less Fantaisie-Impromptu was written in 1834, as were the Four Mazurkas and the Grande valse brillante in E♭ major , but unlike these other works, Chopin never published the Fantaisie-Impromptu. Instead, Julian Fontana published it posthumously, along with the waltzes. It is unknown why Chopin did not release the Fantaisie-Impromptu. Ernst Oster conducted a technical examination of the piece that hints at similarities between the Fantaisie-Impromptu and Ludwig van Beethoven's "Moonlight" Sonata (Quasi una fantasia), which he cites as the reason for Chopin's reluctance to publish.CH The mystery may have been solved in 1960 when pianist Arthur Rubinstein acquired the "Album of the Baroness d'Este", which had been sold at auction in Paris. The album contained a manuscript of the Fantaisie-Impromptu in Chopin's own hand, dated 1835, stating on the title page in French "Composed for the Baroness d'Este by Frédéric Chopin". Its authenticity was "guaranteed by the French authorities" and it shows "a delicate care for detail" and "many improvements in harmony and style" in comparison to the previously published version. Rubinstein considered it proof that it is the finished. Oster writes, "Chopin understood Beethoven to a degree that no one who has written on the C♯ minor Sonata or the Fantaisie-Impromptu has ever understood him. ... The Fantaisie-Impromptu is perhaps the only instance where one genius discloses to us—if only by means of a composition of his own—what he actually hears in the work of another genius."