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Original Microphone Comparison Video: • Jazz Drums Microphone Comparison – Neumann... Today we're starting a mini-series on microphone setups and placement techniques for recording jazz drums. Following up on my original video comparing various microphones, this series will explore how microphone placement affects the sound you get on your drum set recordings. Single microphone or mono overhead setups is an easy way to get a great sound with minimal equipment, and is also how drums were recorded in the 1950s and 1960s. This video covers four popular microphone placements with some back-to-back comparisons toward the end. Interested in studying privately with me? Email me michaeldangelostudio [at] gmail [dot] com Gear used: Drums: Pearl Reference Pure in Piano Black 12x8 Tom 14x14 Floor Tom 18x14 Bass Drum 14x5 Music City Custom Solid Walnut Snare Drum Cymbals: Paiste Masters Dark 22" Crash Ride 20" Crash Ride 20" Flat Ride 15" Hi-hats Sticks: ProMark Finesse Maple 5A Heads: Evans UV1 Coated Interface: Focusrite Clarett 8pre Microphones: Neumann TLM102 (Overhead) Shure Beta 52A (Bass Drum) 00:00 Intro 02:05 Why mono? 03:52 "Vintage" Setup 05:25 "Vintage" Setup Playing 06:14 Close Overhead Setup 06:45 Close Overhead Setup Playing 07:35 Far Overhead Setup 08:07 Far Overhead Setup Playing 08:57 Behind Setup 09:36 Behind Setup Playing 10:41 Back-to-back Comparisons 11:40 Outro