Moscheles Premieres exercices en doubles notes 1-3 from the Méthode des Méthodes скачать в хорошем качестве

Moscheles Premieres exercices en doubles notes 1-3 from the Méthode des Méthodes

https://www.danielgrimwood.eu/histori... It is perhaps surprising to see the study of double notes introduced so early in the Méthode as most students today would approach this technique further on. In exercise no. 1 the first exposure to this technique is with one static finger and the others moving up and down in slow trills. Following these two introductory bars the whole of exercise one is played in similar motion.  The next section introduces thirds alternating with single notes and careful placing of accents to strengthen the weaker 3rd and 4th finger thirds. I am reminded of Adolph von Henselts advice to execute accents with the "finger only, not the arm.... (that enemy of a good delivery on the pianoforte), to develop the strength of the fingers, and to make them independent of the arm.' in the next section thirds are played in crotchets and then in quavers; in the final section, in quavers and then in crotchets. Exercise 2 is played almost entirely in contrary motion. more advanced patterns and an acceleration through triplets to semiquavers are included. Exercise 3 is very beautiful - a one-line intermezzo. This is an exercise in thirds where the 2nd finger crosses over the thumb and also in more extended chord combinations.