THE DISRUPTERS - Rot In Hell скачать в хорошем качестве

THE DISRUPTERS - Rot In Hell

#punk #punkmusic #anarchy The Disrupters were an anarcho-punk band formed in Norwich, UK, in late 1980. Influenced initially by late-1970s punk bands like the Sex Pistols, The Ramones, and The Clash, they gravitated toward the anarcho-punk scene, inspired by Crass. Their music blended raw, mid-to-fast-tempo punk with politically charged lyrics, focusing on anarchist themes, anti-vivisection, and direct action. They were known for their unpolished yet catchy sound, with vocalist Steve Hansell’s (aka Bangkok Steve) warm, raucous delivery standing out. Key History and Milestones: *Early Years (1980–1981)**: The band’s first break came when Crass included their demo track “Napalm” on the *Bullshit Detector compilation LP (1980). In 1981, they recorded their debut single, Young Offender 7”, at Whitehouse Studios in Norwich, released on their own Radical Change Records. The single was a surprise indie chart hit, establishing them as a notable anarcho-punk act. *Stable Lineup (1983–1988)**: After early lineup changes, the band solidified with Steve Hansell (vocals), Kevin Wymer (drums), Paul Greener (guitar), Steve Hough (bass), and Prem Nick (spoken word) from 1983 to 1988. This lineup produced their most consistent work, including the albums *Unrehearsed Wrongs (1983), Playing With Fire (1984), and the 12” Alive In The Electric Chair (1985).[](https://norwichmusic.fandom.com/wiki/...)[](https://overgroundrecords.co.uk/artis...) **Radical Change Records**: The Disrupters ran this label, initially with Backs Records, to promote anarcho-punk bands like Icon A.D., Revulsion, and Self Abuse. It gave them artistic control and supported the Norwich DIY punk scene.[](https://www.amazon.co.uk/Gas-Punx-Dis...)[](http://terminalsoundnuisance.blogspot...) **Political Activism**: The band was deeply involved in direct action, participating in events like the Stop the City riot in London and the Stonehenge riot, as well as anti-vivisection protests. These actions sometimes led to arrests.[](https://www.amazon.co.uk/Gas-Punx-Dis...)[](https://overgroundrecords.co.uk/produ...) *Breakup (1988)**: Disillusioned by growing divisions and dogmatic attitudes in the anarcho-punk scene, Hansell quit, and the band dissolved after their final gig at The Jacquard in Norwich on December 4, 1988. Their last release was the posthumous *Anarchy, Peace and Chips tape (1989), compiled from live video recordings.[](https://norwichmusic.fandom.com/wiki/...)[](https://www.musicfromtheeastzone.co.u...) *Reformation (2007–2011)**: The band reformed in 2007 to play Steve Ignorant’s *Feeding of the 5000 gig at Shepherd’s Bush Empire, with Hansell, Wymer, Prem Nick, and new members Steve Hardy (guitar) and Mash (bass) from Saigon Kiss. Wymer left soon after, replaced by Rob Hedge. They released Generation Retard (2011), a new album recorded at Ashwood Studio, to avoid being seen as a nostalgia act. The band split again after a chaotic, alcohol-fueled performance in Dublin in November 2011.[](https://norwichmusic.fandom.com/wiki/...)[](https://overgroundrecords.co.uk/artis...) Discography Highlights: *Singles/EPs**: *Young Offender (1981), Shelters for the Rich (1982), Bomb Heaven (1983), Alive In The Electric Chair 12” (1985). *Albums**: *Unrehearsed Wrongs (1983), Playing With Fire (1984), Generation Retard (2011). *Compilations**: *Bullshit Detector Vol. 1 (1980, Crass Records), Punk and Disorderly (1981, track “Young Offender”), Gas the Punx (2005, Overground Records), Open Wounds: 1980–2011 (blue vinyl retrospective). *Other**: *Anarchy, Peace and Chips (1989, live tape), The Day The Country Died DVD (2007, live track “Gas the Punx”), Live at The Feeding of the 5000 DVD (2009). Musical Style and Reception: Their music was raw, anthemic punk with a dark, desperate edge, often compared to Blitz or Kronstadt Uprising. Critics noted their lack of originality but praised their sincerity and energy, particularly on tracks like “Young Offender,” “Gas the Punx,” and “Animal Farm.” The Alive In The Electric Chair 12” (1985) is considered their strongest work for its catchy, raucous anthems.