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Back to the Cello Suites! It almost feels like coming home. This prelude features some striking ideas – the fantastic passages (literally, in the sense of the stylus phantasticus), the astonishing eventual modulation to E flat minor, and the chromaticism that is employed – along with some systematic structural ideas, including the initial phrase that is used as an anchor at different parts of the piece, the descending bass line that undergirds most of the first half of the piece, and the ascending bass line that guides the listener through the relative chaos of the second half of the piece. I actually recorded this last week and then thanks to a mishap lost the file! So I re-recorded it today. No guitar pedals used this week for reverb - instead this is the 'Orbit Horns' preset on the UADx Space Echo, which I quite like. I quite like the synth to sound a bit like an organ in a big church for these pieces, which is why I seek out wet effects.