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Remember how I said that after I find all of the apartment building’s door keys, no more will appear, even though there are more chances to get them? Well, look no further than here for a demonstration of exactly that: Room 3C is a New York style delicatessen (it looks like a diner to me, but I’ve only been to New York once and, unfortunately, never set foot in one of those famous delis). Pixel and Chisel, sitting at the bar seating area, talk about feeding Fiddle a key, and indeed, if I hadn’t gotten all of them yet, completing the activity with Schmooze and Fiddle would’ve extracted it out of him. But as we have all the keys now, nothing happens except that the restaurant explodes, Pixel and Chisel are long gone, and we move on to a musical sequence, this time about Fiddle. In it, you’ll see a lot of different sequences about Fiddle. For the record, all of the major characters get at least one musical sequence, with Scoops getting four (“major character” meaning the five toons seen in the police lineup at the beginning of the game), with some of the minor characters getting one as well. The gag with Fiddle and the key is the center of this part of the game, so without a key to give, it does lose some of its weight. The deli room is not guaranteed to appear and is found only on the 2nd, 3rd, or 4th floors. Presumably, this is due to Fiddle’s song using a lot of clips from other parts of the game, and they want you to have seen at least some of them. Fiddle actually has a second song, a duet with Katrina, but it didn't turn up in this playthrough. Say, have I mentioned that this game takes a long time to caption? Even a short below-five-minutes video like this one takes me about two hours to transcribe and assign time intervals for each line. Unsurprisingly, there are some pop cultural references. Please let me know in the comments of any I may have missed: 0:00 - One of the diners is the canine Funnybone mascot, with the bone itself having been served as if it’s a meal. 0:00 - The two people standing by the entrance are Susan Decker, voice of Pixel; and Joel Fried, founder of Funnybone Interactive and voice of Chisel. 0:00 - On the wall is a pay phone! But it’s out of order, so you can’t come here to call people. If pay phones were before your time, these are public use telephones you’d pay to be able to make a call. They were popular and in wide use before cell phones became common. 0:00 - Next to the Funnybone dog is a table jukebox. Like pay phones, jukeboxes are coin-operated. After dropping in the necessary money, you’d pick a song from an available list, and the jukebox would play that song. The model seen here is a CD-based jukebox, which were the predominant kind in 1996, when this game was released. Jukeboxes are rare now, but they still exist here and there, with Spotify- and Shazam-based jukeboxes turning up in some places. 0:49 - The Seventh Seal is a 1957 film by Ingmar Bergman that caused Bergman to become world-famous. It is a historical fantasy drama about a knight who tries to beat Death by playing him in a game of chess. The movie popularized the concept of Death playing chess, or other games, as a way of providing his targets one last chance (or the illusion of one anyway). It was NOT intended to be a comedy. The hopeless, bleak tone of the movie would make this joke a particularly dark one within this game. 1:23 - The sink to feed to Fiddle is a visual representation of the idiom “Everything but the kitchen sink,” to mean that something has been observed to include nearly everything imaginable. 1:44 - Popularized by its use in the Pixar film, ratatouille is a French vegetable soup. 1:55 - The candy bar has a green wrapper and reads “Pyrenees,” a parody of Andes mints. Now that we're done, we'll visit Room 3D next. Looks pretty normal, doesn't it?