Edward Elgar – Pomp and Circumstance Military March N°1 in D, Op. 39 скачать в хорошем качестве

Edward Elgar – Pomp and Circumstance Military March N°1 in D, Op. 39

Donate to my channel through Paypal ➝ https://www.paypal.com/cgi-bin/webscr... Become my patron ➝   / rizzotto   Facebook ➝ https://fb.me/DrRizzotto My second YouTube channel ➝ https://bit.ly/2nBoZzH Download my compositions ➝ http://krisrizzotto.com/compositions Download my dissertation ➝ https://shareok.org/handle/11244/319757 Sir Edward Elgar (1857-1934) Pomp and Circumstance Military Marches No. 1 in D Major, Opus 39 Dr. Kris Rizzotto, piano Videos like these take a long time to make and hours of very focused attention, as well as expensive equipment. Please consider supporting the production of more high quality recordings like this by donating to my YouTube channel using either of the two PayPal links below: https://www.paypal.com/cgi-bin/webscr... https://www.paypal.me/krisrizzotto Thank you! _ _ _ _ _ _ _ _ _ _ Latvian Brazilian Dr. Kris Rizzotto has played concerts in Argentina, Brazil, Italy, Latvia, Lithuania, Norway, Poland, and in 20 American states. Highlights include Rīga Dom Cathedral and Liepāja’s Holy Trinity Cathedral (largest mechanical organ in the world) in Latvia; Pelplin Cathedral International Organ Festival in Poland; Piccolo Spoleto Festival in Charleston; Christopher Summer Festival in Vilnius, Lithuania; Basilica of the Blessed Sacrament in Buenos Aires; Cathedral Basilica of the Immaculate Conception in Denver; and Anchorage Lutheran Church in Alaska. Kris is passionate about performing works of living composers. Dr. Rizzotto is the Director of Music at Lake of the Isles Lutheran Church in Minneapolis. They became a self-published composer after Wayne Leupold Editions published Toccata in 2014. Kris was named a member of The Diapason’s 20 Under 30 Class of 2017, which recognizes young leaders in the fields of organ, harpsichord, carillon, and church music. They were previously the organist at the Benedictine Abbey of Rio de Janeiro, built in 1590 and owner of one of the oldest organs in South America. Kris holds a Doctor of Musical Arts degree in Organ Performance from the American Organ Institute at the University of Oklahoma, a Master of Music in Sacred Music and Organ Performance from East Carolina University, and a Bachelor’s degree in Piano Performance from the Federal University of Rio de Janeiro (Magna cum Laude). Kris’ doctoral dissertation was about the importance of music in the formation of the national identity of the Latvian people, focusing on organ compositions by Aivars Kalējs which represent the values and spirit of the Latvian heritage. Download my dissertation ➝ http://krisrizzotto.com/dissertation PER ASPERA AD ASTRA: LATVIAN NATIONAL IDENTITY REFLECTED IN SELECTED ORGAN WORKS BY AIVARS KALĒJS _ _ _ _ _ _ _ _ _ _ The Pomp and Circumstance Marches, Op. 39, are a series of six marches for orchestra composed by Sir Edward Elgar. The first four were published between 1901 and 1907, when Elgar was in his forties; the fifth was published in 1930, a few years before his death; and the sixth, compiled posthumously from sketches, was published in 2005-2006. They include some of Elgar's best-known compositions. The title is taken from Act III, Scene 3 of Shakespeare's Othello: Farewell the neighing steed and the shrill trump, The spirit-stirring drum, th'ear-piercing fife, The royal banner, and all quality, Pride, pomp, and circumstance of glorious war! But also, on the score of the first march, Elgar set as a motto for the whole set of marches a verse from Lord de Tabley's poem "The March of Glory", which (as quoted by Elgar's biographer Basil Maine) begins Like a proud music that draws men on to die Madly upon the spears in martial ecstasy, A measure that sets heaven in all their veins And iron in their hands. I hear the Nation march Beneath her ensign as an eagle's wing; O'er shield and sheeted targe The banners of my faith most gaily swing; Moving to victory with solemn noise, With worship and with conquest, and the voice of myriads. proclaiming the "shows of things" (Maine's quotation marks): the naïve assumption that the splendid show of military pageantry—"Pomp"—has no connection with the drabness and terror—"Circumstance"—of actual warfare. The first four marches were all written before the events of World War I shattered that belief, and the styles in which wars were written about spurned the false romance of the battle-song. March No. 1, was composed in 1901 and dedicated "to my friend Alfred E. Rodewald and the members of the Liverpool Orchestral Society". Thank you to my dear wife Dr. Clara Rizzotto for producing this beautiful footage!