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1954-55......#1 U.S. Billboard, #1 U.S. Cash Box, #11 UK Singles Chart Original video edited and remastered with HQ stereo sound. This DES stereo video has been modified to support the hard work of its creators. Without sales of the CD on which this first-time DES song appears there can be no more new stereo like this based on mono originals. Please visit https://www.ericrecords.com to order and express your support! To find out more about spectral editing and sound source separation, go to http://www.monotostereo.info/ "Mr. Sandman" (or "Mister Sandman") is a popular song written by Pat Ballard and published in 1954. It was first recorded in May of that year by Vaughn Monroe and his orchestra and later that year by The Chordettes and the Four Aces. The song's lyrics convey a request to "Mr. Sandman" to "bring me a dream" – the traditional association of the folkloric figure (but in this context the meaning of dream is more akin to 'dreamboat'). The pronoun used to refer to the desired dream is often changed depending on the sex of the singer or group performing the song, as the original sheet music publication, which includes male and female versions of the lyrics, intended. Emmylou Harris's recording of the song was a hit in multiple countries in 1981. Other versions of the song have been produced by Chet Atkins (1954) and Bert Kaempfert (1968). The Chordettes' recording of the song was released on the Cadence Records label, on both 78 RPM and 45 RPM formats. Cadence's founder, Archie Bleyer, was the orchestra conductor on the recording, and provided a rhythmic beat for the recording using his knees. Bleyer's voice is heard briefly in the third verse, when he says "Yes?" The piano is played by Moe Wechsler. Liberace's name is mentioned for his "wavy hair", and a glissando (a flourish common in his music) immediately follows. Pagliacci is mentioned for having a lonely heart, which is a reference to the opera Pagliacci by Ruggero Leoncavallo. One of the most important milestones in this version is the opening song (bom, bom, bom, bom [...]). This interpolation immortalized the track, and over time, this section was heavily sampled by several subsequent genres, such as hip-hop. In the United States, the Chordettes' single reached No. 1 on all three of Billboard's popular music charts, and was ranked No. 9 in Cash Box's ranking of "1955's Top Pop Records as Voted in the Cash Box Poll". In 2002, the 1954 recording of the song by The Chordettes on Cadence Records was inducted into the Grammy Hall of Fame. The Chordettes' version was notably featured in scenes of several TV shows and movies throughout the years, including Halloween II (1981), Uncle Buck (1989), Halloween H20: 20 Years Later (1998), Doctor Who (2005), Grimm (2011), Sleepy Hollow (2013), Deadpool (2016), and Stranger Things (2016).