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Today I’ll be talking about expectations, disappointment and judgment - our self-inflicted injuries as artists. I’ll refer to one of my recent Substack posts: https://writingforscreens.substack.co... After that - we talk about: Can a movie work without an antagonist? Is suffering required to make art? What is symbolism in a movie and how do symbols and images function as a narrative tool? How are they integrated into the screenplay? Is it possible to write like David Lynch? Is there a way to make a scene suspenseful? (See the “WITHHOLDING” video, link below!) Any tips to help us improve about imagination? (See “IMAGINATION and INSTINCT videos below!) How do we deal with indie producers - should we do free work? Is it better to write before our day job, or after? A producer in another country is interested in my script. Should I talk to them? In answering, I refer to these videos - please check them out: Imagination (For Writers) - • Imagination (For Writers) Instinct - • Screenwriting Essentials: Instinct Use What You Have - • Screenwriting Essentials: Use What You Have A Writing Secret: Withholding - • A Writing Secret: Withholding FIND “Writing For Screens” ON SUBSTACK!! https://writingforscreens.substack.com/ That’s where I’m mostly working now -- and IT’S FREE to subscribe. And if you want a book version of WRITING FOR SCREENS - you’re in luck! I made one! You can buy it as a paperback or Kindle e-book on Amazon: PAPERBACK: https://www.amazon.com/Writing-Screen... KINDLE: https://www.amazon.com/Writing-Screen... The paperback is also at Barnes & Noble online: https://www.barnesandnoble.com/w/writ... Or ask your local bookstore to order you a copy (through the distributor Ingram)! It will be on more e-book platforms soon!