Zelenka - Missa Nativitatis Domini, ZWV 8. {Incomplete autograph score + 4k HD} скачать в хорошем качестве

Zelenka - Missa Nativitatis Domini, ZWV 8. {Incomplete autograph score + 4k HD}

#jan #dismas #zelenka #score #sheetmusic #zwv #8 The partially surviving autograph score /see below for the details/, to the Missa Nativitatis Domini /Z. 8/ by Jan Dismas Zelenka, composed 1726 - and no less brilliant than his later settings, even though this work is more conservative, still has all the characteristics of Zelenka's brilliance. The Missa Nativitatis is Zelenka's most pastoral work where the orchestration is a point of interest. A pair of flutes are used more than is usual, and horns feature prominently. Discrepancies between sources for the music led to two different interpretations of brass orchestration: However Zelenka in the autograph indicates "Clarini" /trumpets/, which are used in the earliest copies found in Prague. Therefore, the use of trumpets would be a valid choice of instrumentation, however, there are many solo cantabile sections, and there is no accompanying timpani written, even in the choral fugues - which is unheard of in Zelenka's trumpet mass music. Hence, horns could have been intended, and prove very suitable for Christmastide music. Sadly, the original December 1726 Dresden autograph seems to be both damaged and incomplete - the Sanctus is non-existent and there is only a partial writing of a "Qui tollis peccata" for the Agnus Dei. He wrote everything in a short space of time /Kyrie signed 16th Dec, Gloria 20th, Credo 23rd/ so perhaps he had to rush the last parts. The final title page suggests that he did have them planned or maybe even had them written. However, in every other copy, and in later sources, the mass is made whole by the Sanctus & Agnus of Missa Charitatis /Z. 10, which was with 2 horns/, most likely composed the same time the following year. The fugue subject of the "Dona Nobis Pacem" also happens to be similar melodically to the Kyrie of the Missa Nativitatis. Could this mean that Zelenka, by doing this completed his old mass as well as his new one? Whatever the case, Carl Philip Emmanuel Bach held a copy of this mass in Berlin which had this configuration - one of the two Zelenka Masses that his esteemed father, Johann Sebastian Bach, had in his possession. I: Kyrie (Chorus) - 00:00 II: Gloria (Chorus) - 4:46 III: Domine Deus (Soprano, Alto) - 7:04 IV: Qui tollis (Chorus, Soprano, Alto) - 9:48 V: Quoniam tu solus (Tenor, Bass) - 11:45 VI: Cum Sancto Spiritu (Chorus, Double Fugue) - 14:48 VII: Credo (Chorus) - 17:18 VIII: Et incarnatus (Chorus) - 19:08 IX: Crucifixus (Soprano, Alto) - 20:13 X: Et resurrexit (Chorus) - 22:13 XI: Et vitam venturi saeculi (Chorus, Double Fugue) - 24:08 Performer(s):    • MISSA NATIVITATIS DOMINI (ZWV 8) by J...