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Performed by the Florida State University Philharmonia Orchestra, Alexandra Dee, conducting (http://www.alexandradee.com). February 16, 2013 in Opperman Hall. Inspired by a trip to Disneyland, Aerodynamics describes an imaginary flight on an open-air glider. When I was in college I went on a new ride at the California Adventure theme park called "Soarin' California" during which I was suspended in the air with my legs dangling as if I were in a hang glider. I was immersed in imagery of California landscapes that zoomed by as fans blew air at me to simulate incredible speed. Even the scent of pine forests wafted through the breeze to complete the experience. This ride was so visceral and powerful to me that I went on it over and over, taking it in with excitement every time. I am fascinated by high speeds and by flight, and Aerodynamics is my musical response to these visceral experiences. Musically, Aerodynamics is focused on the ebb and flow of fluid gestures, connected by a continuous stream of quickly repeated notes that represents the wind blowing at your face. Every line is echoed and mirrored so that a simple idea expands into a wash of sound. The listener may imagine taking flight throughout the piece, dipping and swooping as the shape of the music weaves its way from high to low and from small to large. This work uses a very limited amount of material, consisting almost entirely of a repetitive two note motive and a fleeting melody. The constant underlying motion builds the energy toward the end of the piece, where a climax combines the two main musical ideas in a majestic orchestral tutti. Aerodynamics was a recipient of a 2009 BMI Student Composer Award. For more information, please visit http://www.rogerzare.com/aero.htm For more information about Roger Zare and his other compositions, visit http://www.rogerzare.com