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Bach - Fugue No. 13 in F-sharp Major, BWV 858 - Analysis #bach #analysis The gently swaying, two-part movement of the 'Prelude in F-sharp major', BWV 858, makes it sound deceptively simple After a short canonic opening, the right hand is restricted to a somewhat rambling melody in an endless festoon of notes grouped in threes, whereby the first of the three is often missing. The left hand remains alert and adds the missing note, so that the upper voice keeps up. With only an occasional melodic outpouring, the bass gently and swiftly steers the melody to a safe haven. The fugue opens with a robust theme that is parried by a briskly bouncing second part. After crossing swords three times, the two voices find one another in cheerfully tumbling ricochets, with only very scant reference to the initial fugue theme. Program notes by: https://www.bachvereniging.nl/en/bwv/... Piano recording by Kimiko Ishizaka https://www.welltemperedclavier.org/ A no copyright professional recording of Bach's WTC. The main purpose of this video is to analyze the structure of the fugue, which includes its entries, the parts, the coda, etc. Proper interpretation of the piece in terms of performance may be talked about in a different topic. ------------------------------------------------- Audio used in the beginning: Prelude No. 13 in F-sharp Major, BWV 858 -------------------------------------------------