Jan Ladislav Dusík - Piano Concerto No. 12, Op. 49 (1801) скачать в хорошем качестве

Jan Ladislav Dusík - Piano Concerto No. 12, Op. 49 (1801)

Jan Ladislav Dussek (baptized Jan Václav Dusík, with surname also written as Duschek or Düssek; 12 February 1760 – 20 March 1812) was a Czech composer and pianist. He was an important representative of Czech music abroad in the second half of the 18th century and the beginning of the 19th century. Some of his more forward-looking piano works have traits often associated with Romanticism. Piano Concerto No. 12 in g minor, Op. 49 (1801) Dedicated to Monsieur et Madame Louis Vidal de Hambourg I. Allegro ma espressivo (0:00) II. Adagio (15:22) III. Rondo. Allegro non troppo (23:06) Andreas Staier, forte piano & Concerto Köln Classical FM writes about Dussek: Jan Ladislav Dussek is a composer who’s known to piano and harp students for all his works that turn up in Royal Conservatory of Music repertoire – the guy could write sonatas and sonatinas for those two instruments like nobody’s business. He did so much for the piano that I’m surprised he isn’t better known. He was one of the first virtuosos to tour extensively, and played a major hand in expanding the keyboard range of the piano (which Beethoven fully explored). Dussek was friends with John Broadwood, the developer of the “English Action” piano, and because Dussek’s works required a strong sound and a range of notes not yet available, he pushed Broadwood to create pianos with a new depth of sonority and a wider keyboard range. It was this prototype that was sent to Beethoven. Dussek, known for his looks as well as his talent, dominated the concert stage until Beethoven arrived on the scene. Considered a rock star teacher as well as performer, Dussek was so popular he became the guy for students to boast about having as a mentor. If he were around today, he’d be a panellist on a reality show called “Sonata City”, hosted by Lang Lang, that would propel a classical pianist’s career overnight, with lots of YouTube clips and interviews on all the major talk shows in North America. He’d have endorsement deals with Broadwood Pianos, modelling contracts, before launching a cologne for men, then in phase two, a women’s perfume. Harold Schonberg wrote that he was the first pianist to sit at the piano with his profile to the audience, earning him the appellation "le beau visage." All subsequent pianists have sat on stage in this manner. He was one of the best-regarded pianists in Europe before Beethoven's rise to prominence.