The Large Format Lie... скачать в хорошем качестве

The Large Format Lie...

From 70mm, to VistaVision, to IMAX, movies feel like they’re getting bigger; unfortunately, so too are the myths surrounding these larger formats. But do larger formats actually come with a shallower depth of field? Does a larger medium truly lead to less image distortion? Is there actually a unique look to these formats that is outright unattainable on smaller cameras? And if not, then why do these misconceptions persist? //FILMS & VIDEOS Oppenheimer: Shot On Kodak Film, Aspect Ratios with Sinners Director Ryan Coogler, The Hateful Eight - Ultra Panavision, Sinners (2025), One Battle After Another｜What is VistaVision and Why Should I Care?, The Brutalist Oscar Winning Cinematographer Breaks Down Filming VistaVision in Low Light, The Brutalist ｜VistaVision (Universal Pictures), Oppenheimer (2023), Midsommar (2019), The Killing of a Sacred Deer (2017), Tinker Tailor Soldier Spy (2011), Citizen Kane (1941), 'Phantom Thread' Camera Tests Narrated by Paul Thomas Anderson, The Revenant (2015), The Tree of Life (2011), The Thin Red Line (1998), Red Beard (1965), The Grand Budapest Hotel (2014), Sinners｜Exclusive Behind the Scenes with Ryan Coogler｜Shot With IMAX Film, The Hateful Eight (2015), One Battle After Another (2025), Dune: Part Two (2024), Let's Go to the Movies (1948), The Hateful Eight - Production, Poor Things: Shot on Kodak Film, Cinematographer Robert Elswit Breaks Down 'Ripley's' Striking Black & White Cinematography, The IMAX of the 1890s｜HOW TO SEE the First Movies, The Graduate (1967), Psycho (1960), The Silence of the Lambs (1991), Poor Things (2023), Jaws (1975), The Life Aquatic with Steve Zissou (2004), Badlands (1973), Days of Heaven (1978), Taxi Driver (1976), Do the Right Thing (1989), Atonement (2007), No Country for Old Men (2007), The Shining (1980), Knight of Cups (2015), Ryan’s Daughter (1970), Innovations In Film — 65mm Black and White in Oppenheimer, THE BRUTALIST Director Brady Corbet on Why 70mm Is a Must | TIFF 2024, The Brutalist (2024) //SOURCES The AC Manual, The Filmmaker’s Handbook by Steven Ascher & Edward Pincus, The wide world of wide-angle (Cooke Optics), Understanding Lens Distortion by Jay Holben (American Cinematographer), Matching Lens Blur on Different Format Sizes (Yedlin.net), Common Misconceptions About Large Format Optics (Yedlin.net), Kurosawa - On Screen / Reviews & Observations - Cinematography.com, Beyond VV - Cinematography.com, Arri Alexa 65 vs. Alexa Mini - Large Format Look Test (s35mm / 65mm) - Manuel Lübbers, Has deep focus ever been the norm? - General Discussion - Cinematography.com //MUSIC Divider by Chris Zabriskie is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Source: http://chriszabriskie.com/divider/ Artist: http://chriszabriskie.com/ Lion by Dyalla Crystal Echoes by Sergey Cheremisinov is licensed under a CC BY 3.0 license. https://creativecommons.org/licenses/... #filmmaking, #VistaVision, #IMAX