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Capital University instructor Neal Schmitt explores drum miking techniques in collaboration with the Creative Arts Workshop. This workshop is divided into two parts. Part 1 is about creative drum sounds at the source. We explore how drumstick choices at the source make a huge impact on both the sound and the drummer's playing, how drum stick choices, dampening, and altering the drum or cymbal sound alters the performer's choices and playing style. Part 2 is about interesting miking techniques - items you might find a yard sale or thrift store, plus the use of a tried and true microphone to make a pretty stellar 2 microphone drum sound. 00:00 Introduction and overview of changing drum sounds at source 04:37 Broomsticks 05:29 Rods 05:56 Mallets 06:59 Big Fat Snare Drum 07:38 Meinl Ching Ring 08:15 Cymbal sizzlers 09:02 Giant 18" hi-hats 10:34 Giant hi-hats and Big Fat Snare Drum 11:04 Interview with Doug 12:30 Overview of Creative Microphone Approach 17:55 Stereo Overheads, Kick and Snare microphone (baseline) 18:35 Mono 57 19:55 Guitar Hero microphone 21:34 Realistic speaker (purchased for $.90 at the thrift store!) 23:34 Contact microphone 25:15 Telephone microphone 26:44 Telephone and speaker (so good!) 27:10 Realistic cassette recorder 30:28 Real tape flange!!! Thanks to Capital University for having such a great recording space. Thanks to Doug for being an awesome drummer! Links for Capital University's Music Technology Program Capital University Music Technology Program Home Page http://www.capital.edu/music-tech/ Instagram: / capmustech Facebook: / capitalmusictech Twitter: / capmustech YouTube: / capitalmusictechnology