[SCORE] Frederic Situmorang: Nine Miniatures for Piano (2026) скачать в хорошем качестве

[SCORE] Frederic Situmorang: Nine Miniatures for Piano (2026)

Nine Miniatures for Piano (Score) 0:00 I. "...to lull its chosen victim to sleep..." 1:56 II. "...can we know the dancer from the dance?" 4:29 III. "...the hands That held the dams had parted hold..." 5:43 IV. "Do I contradict myself?" 6:49 V. "...every day and every hour is change..." 9:15 VI. "The blithe wind cannot rest..." 11:16 VII. "...he rode On a white horse, splashed with blood..." 13:30 VIII. "Afoot and light-hearted I take to the open road..." 15:21 IX. "When midnight comes a host of dogs and men..." Performed March 3, 2026 at Texas Christian University by Frederic Situmorang. Publication notes: I originally composed 9 Miniatures for solo piano as a set of four stand-alone pieces composed for a student composer recital at Texas Christian University. I wanted to keep exploring short-form writing after the initial performance of the original four, so I slowly expanded the collection to nine pieces by the following year. The compositional process varied for each piece. Some of them were written in a few hours, some of them were written over weeks, and some were initially written out quickly but took months to revise. Each of these pieces are generally no more than two minutes long and present different compositional ideas and harmonic languages as well as different challenges to the performer. Each of these pieces are completely stand-alone; as in, there is no connection between one piece to the next, nor is there any overarching idea or concept to the set. In fact, the performer will find that the style changes drastically from one piece to the next. As such, I do not intend for these pieces to have a set order of performance; performers may perform the whole set in any order they wish, or select any number of pieces for performance, or even just play individual pieces from the set. This publication is organized by order of composition. The only general concept that I applied to the whole set are the titles, which are taken from poetry and pieces of literature representative of the musical content. Reading the literature from which the titles are taken from might yield greater insight into the pieces.