Cine Prime VS Cine Zooms for documentary work скачать в хорошем качестве

Cine Prime VS Cine Zooms for documentary work

The zoom vs prime lens debate is as old as filmmaking itself, but when we start to consider cinema glass the differences between cine zooms and cine primes are magnified. Today we’re talking about the age-old debate of cine zoom lenses versus cine prime lenses and particularly how they impact wildlife and documentary cinematography. Choosing the right lens is a bit like selecting the perfect tool for the job. And in wildlife cinematography, it's a decision that can make or break your shots. While the discussion provided is broad, the specific lenses discussed are the: Sigma 18-35 T2 Cinema Zoom Sigma 50-100 T2 Cinema Zoom Sigma FF High Speed Cinema Prime Lenses - Cinematographer Bio- Tom Park is an accomplished underwater cinematographer and director, with over a decade of experience working in the underwater film industry. Tom has worked on a variety of projects, from short form docu-series to commercials and brand campaigns, for clients such as The National Gallery of Victoria, Tourism & Events Queensland, Destination NSW, The Smithsonian, and his work has been recognised with awards from film festivals around the world. Tom is known for his technical expertise in working with underwater cameras and equipment, as well as his creative vision in capturing the beauty and uniqueness of the underwater world. He is passionate about ocean conservation and using his art to raise awareness about the importance of protecting marine ecosystems. If you are looking for a dedicated underwater cinematographer in your documentary film crew, or are a brand looking to create an unforgettable marketing campaign, Tom has the skills and experience to help you bring your vision to life. For more visit my website: www.tomparkfilms.com or find my work on socials at www.instagram.com/tomsunderwaterphotography For business enquires only, please shoot me a message at [email protected]