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Blixa Bargeld - live in Vancouver, BC - February 4, 2006 скачать в хорошем качестве

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Blixa Bargeld - live in Vancouver, BC - February 4, 2006
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Blixa Bargeld - live in Vancouver, BC - February 4, 2006

excerpt from Blixa Bargeld's live performance of "Rede / Speech" at Richard's on Richards in Vancouver, BC on February 4, 2006. This performance was part of the "How to Destroy the Universe Part 5" tour. Also on the bill that evening were F-Space, the Sixteens, and Jarboe. video by brett support the artist: https://blixa-bargeld.com/ https://www.instagram.com/blixa.offic... https://neubauten.org/en/blixa-bargeld/ https://mobilization.bandcamp.com/alb... https://alienatedinvancouver.blogspot... A powerfully influential figure in experimental and avant-garde rock, Blixa Bargeld is best known as one of the founders of the pioneering industrial band , as well as for his work with . Blixa Bargeld was born Christian Emmerich in the Friedenau quarter of Berlin, Germany on January 12, 1959. His stage name was cobbled together from various sources; "Blixa" came from a popular felt-tip pen, while "Bargeld" literally translates as "cash," while it also referred to Johannes Theodor Baargeld, an artist and poet who was one of the founders of the Cologne Dada Group. Bargeld left school at an early age, and is entirely self taught as a musician. His earliest influence was (who were also his first record purchase), though he would soon become a fan of the German groups Can, , and , whose experimental bent would have a major impact on his musical thinking. Bargeld's first attempts at making music were in the form of tape manipulation, but he would follow a different musical path when, emboldened by the D.I.Y. spirit of punk rock, he formed ("Collapsing New Buildings") in 1980 with N.U. Unruh, , and . From the beginning, the band was meant to confront the expectations of the audience, and they first found their style when percussionist Unruh, in need of cash, was forced to sell his drum kit days before the group was booked to play a show. In its place, Unruh assembled a collection of scrap metal that he used as percussion instruments, and soon the band was performing with a collection of power tools, metallic detritus, and found objects along with a few conventional instruments (most notably Bargeld's unconventionally played electric guitar). After releasing a handful of free-form noise jams on cassettes, issued their first proper single, "Fur den Untergang," in 1980, with their debut album, Kollaps, following in 1981. The group's lineup also changed in 1981, as and left , and (formerly with ), Mark Chung, and Alexander von Borsig signed on in their place. When landed a spot opening for , Bargeld struck up a close friendship with the group's leader, . was taken with Bargeld's unusual guitar style, and invited him to play on the sessions for 's 1983 EP Mutiny. also helped land a deal with the British label , which released 1983's Zeichnungen des Patienten O.T. (aka Drawings of Patient O.T.) as well as the 1984 anthology Strategies Against Architecture 80-83, a collection of early recordings. The Mutiny EP would prove to be 's final release before they broke up, and when founded a new group, , he asked Bargeld to join. Bargeld was soon pulling double duty in both and , regularly recording and touring with both groups. As 's sound evolved into a less assaultive and more artful approach, Bargeld branched out as a composer, and began writing music for theater pieces as his schedule permitted. A collection of his theater pieces, Commissioned Music, became Bargeld's first solo album, released in 1995. He also staged spoken word performances, titled Rede/Speech, in which he combined audio manipulation with readings of pieces in both German and English. Bargeld began acting in films, beginning with an appearance as himself in Wim Wenders' Wings of Desire in 1987, and playing supporting roles in such works as Die Totale Therapie (1996), Recycled (2000), and Anhedonia (2016). He has also scored a number of short films and independent features, both solo and as part of . In 2003, Bargeld amicably left to focus on solo projects and his work with ; by this time, the group had begun moving away from working with established labels and instead enlisted financial support from their fans to record and release their work.

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