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gost1980s.bandcamp.com/music 00:00:00 Possessor 00:01:57 Garruth 00:04:20 Maleficarum 00:08:00 Master 00:11:23 Bathory Bitch 00:16:52 The Call of the Faithful (Faithless) 00:20:45 Widow Song 00:25:00 Behemoth 00:29:24 Blessed Be 00:33:29 Leviathan 00:38:27 Obituary 00:42:03 Coven 00:46:29 Commencement 00:51:31 Shiloh’s Lament 00:55:21 Digital Death 00:58:00 Prophecy "And it came to pass, as soon as Gideon was dead, that the children of Israel turned again, and went a whoring after Baalim, and made Baalberith their god. Directed and commanded by another power. The power of darkness, which manypeople do not believe exists. The power of the Devil. The power of Satan. The power of Baalberith." ~ Gost exist in the dark crack between black metal and the most shadowy end of electronic music. Since the release of the Radio Macabre EP at the start of 2013, and the remorseless digital nightmare of their Skull debut album six months later, Texas-based multi-instrumentalist, producer and main-brain James Lollar has become an increasingly singular force in music. Far more aggressive and sinister than the synthwave he’s often grouped with, Gost is a harsh and unique digital nightmare that takes the listener right into the heart of the abyss. Now Gost return with their sixth album, and their most exhilarating and dangerous-sounding work to date, Prophecy. It’s a record that perfectly reflects the horror and grim anxieties of a world beset with religious and political overreach, and progress “being rolled back to the fucking 1950s”. “It's about an imaginative fall of the Western civilization, the biblical end of the world – the rise of Satan and Armageddon,” says James. “In America, there's been a big rise of scared, reactive Christianity again, and almost like a re-emergence of the Satanic Panic. So it felt like an appropriate time to bring Satan back into things.”