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“The Poetry of Night” is poet SARAH MACLAY’S shorthand for a flavor of poetics that emerged in the Age of Enlightenment in critical response to a purely rational world view. That esthetic lives on in the work of the poets Sarah explores in this series. In this Episode (No. 5), she reads and discusses examples of "nocturnes"-- poems that are specifically set in the night realm. Sarah's latest collections are “The H.D. Sequence – A Concordance” (Walton Well Press, 2024) and “Nightfall Marginalia” (What Books Press, 2023), a collection of nocturnes and ekphrastic poems. Earlier collections include a braided collaboration with Holaday Mason: “The ‘She’ Series: A Venice Correspondence” (What Books Press, 2016), “Music for the Black Room” (2011) and “The White Bride” (2008) both from U of Tampa Press. Her debut collection, “Whore” (U of Tampa Press, 2004) won the Tampa Review Prize for Poetry. Her poems and criticism have appeared in FIELD, Ploughshares, Blackbird, Manoa, The American Poetry Review, The Best American Erotic Poems, The Writer’s Chronicle, Poetry Daily, and many other publications. She long served as Poetry International’s book review editor. Maclay received a 2016 City of Los Angeles (COLA) Fellowship, a Yaddo residency, and a Pushcart Special Mention. She earned a BA from Oberlin and an MFA in Writing at Vermont College of Fine Arts. She splits her time between her native Montana and California, where she teaches creative writing.